Events Calendar

Dates: July 11 – 16, 2022
Application: Available now through MyBMC
Cost: A $600 fee covers all housing, meals, classes, materials, and concert tickets. Spots are limited and applications will be reviewed on a rolling basis.

Please note: Proof of COVID-19 vaccination is required for all students, faculty, and summer staff for the 2022 season. Please see our FAQ page for more information.

Program Summary

Brevard Music Center (BMC) presents The Brevard Project: Reimagining the Future of Orchestral Programming, a six-day intensive seminar and think-tank on orchestral programming intended for professionals and influencers in the orchestral field. Presented by Brevard Music Center in partnership with Bard College, the Blair School of Music at Vanderbilt University, the Chicago Sinfonietta, the South Dakota Symphony, the University of Michigan School of Music, and Project Director Joseph Horowitz, The Brevard Project takes place July 11-16, 2022. The central goals of The Brevard Project are to re-evaluate the artistic mission of the American orchestra and to share the skills needed to curate a more comprehensive, more inclusive American orchestral repertoire.

Curriculum

The Brevard Project: Reimagining the Future of Orchestral Programing complements Brevard Music Center’s week-long “Dvořák’s Prophecy” festival from July 11-16 and is inspired by Joseph Horowitz’s acclaimed new book Dvořák’s Prophecy and the Vexed Fate of Black Classical Music. Part think-tank, part seminar, this inaugural Project gathering equips practitioners and scholars alike to begin to answer questions about the dense nexus of culture and race, of historical, political, and moral reckonings surrounding the story of American orchestral music. The central goals of this program are to re-evaluate the artistic mission of the American orchestra and to share the skills needed to curate a more comprehensive, more inclusive American orchestral repertoire. The Brevard Project is designed for conductors, artistic administrators, executive directors, community engagement specialists, conservatory students, and engaged orchestra Board members.

Moving forward requires a fresh and closer look at our musical past – and to the lagging formation of an American symphonic canon. A new narrative of American classical music will be proposed that explores timely and topical issues that impact present and future orchestral programming. Why did our repertoire remain so stubbornly Eurocentric? What can we learn from this history? What can be mined from the treasure trove of long-hidden indigenous and Black music that can help to pave the future?

Classroom sessions will be highly interactive, drawing upon first-hand accounts of humanities-infused approaches to programming and community engagement. Topics of exploration include creating a “new paradigm” for American orchestral repertoire, rethinking the concert experience, and redefining the role of the music director. Participants will be challenged to envision programming and organizational initiatives to promote symphonic events grounded in the American experience, past and present.

The Faculty

A remarkable faculty has been assembled for this groundbreaking exercise.
*virtual participant

Joseph Horowitz, Project Director
Leon Botstein, President, Bard College; Music Director, American Symphony; Founder, Bard Festival and The Orchestra Now
Lorenzo Candelaria, Dean, Blair School of Music at Vanderbilt University
Mark Clague, Music Historian, University of Michigan
JoAnn Falletta*, Music Director, Buffalo Philharmonic Orchestra
Christopher Gibbs*, Music Historian, Bard Conservatory; Artistic Co-Director, Bard Festival
Delta David Gier, Music Director, South Dakota Symphony
Blake-Anthony Johnson, CEO, Chicago Sinfonietta
Keith Lockhart*, Artistic Director, Brevard Music Center
Douglas McLennan, Founder/Editor, ArtsJournal
Jason Posnock, Chief Artistic Officer, Brevard Music Center
Jesse Rosen, Former CEO, League of American Orchestras
Larry Tamburri, CEO, Newark School of the Arts (former CEO, Pittsburgh and New Jersey Symphonies)

The Performers

Lara Downes, Pianist, producer, arts advocate
Sidney Outlaw, Baritone/pedagogue, Ithaca College
George Shirley, Tenor/pedagogue, University of Michigan

Enrollment Information

Conductors, artistic administrators, executive directors, community engagement specialists, conservatory students, and Board members are all encouraged to apply for The Brevard Project.

Capacity is limited. A $600 fee covers all housing, meals, classes, materials, and concert tickets for the week. Applications will be reviewed on a rolling basis. Apply now through MyBMC.

Dance in the aisles and sing along at ABBA The Concert to the iconic hit songs of a generation like “Dancing Queen,” “S.O.S.,” and “Mamma Mia” Get your tickets now for this concert that has sold out at the Hollywood Bowl in Los Angeles and in cities across the country, including New York City, West Palm Beach and Chicago. Many critics agree, ABBA The Concert is the most amazing and authentic ABBA show in the world. Come dance, come sing, having the time of your life at THE ULTIMATE ABBA CELEBRATION!

The world’s top ABBA tribute band performs the iconic songs of a generation. “Dancing Queen,” “Mamma Mia,” “Waterloo,” “S.O.S.,” “Gimme Gimme Gimme,” and many more will have you dancing in the aisles and singing along.

You’ll be swept away by beautiful and beloved melodies performed by Glow Lyric Theatre, Greenville’s only opera and musical theater company. An ensemble of professional singers will serenade you with famous opera arias, hits from your favorite musicals, and special selections from Glow’s upcoming 2022 Summer Festival Season.

Proud Mary Theatre presents the bold new musical comedy from the visionaries that rocked Broadway with Hedwig and the Angry Inch, Avenue Q and Spring Awakening June 24-July 2, 2022.

This laugh-out-loud love story is set to the music of the iconic 1980’s all-female rock band The Go-Go’s (2021 Rock and Roll Hall of Fame Inductee), including the hit songs, “We Got the Beat,” “Our Lips Are Sealed,” “Vacation,” and Belinda Carlisle’s “Heaven is a Place on Earth” and “Mad About You.”

A hilarious, exuberant celebration of love, HEAD OVER HEELS follows the escapades of a royal family on an outrageous journey to save their beloved kingdom from extinction—only to discover the key to their realm’s survival lies within each of their own hearts.

Songs by The Go-Go’s, Based on The Arcadia by Sir Philip Sidney, Conceived by and Original Book by Jeff Whitty, Adaptation by James Magruder

This colorful program opens with Ukrainian composer Mykola Lysenko’s exciting Overture to the opera Taras Bulba. Featuring Prokofiev’s lyrical and “violinistically ingenious and brilliant” Violin Concerto, ballet music from Stravinksy’s Firebird, and Ravel’s whirling La Valse, expect to be moved by the drama of this music.

Rod Wave has announced the highly anticipated Greenville date of his upcoming tour. Joining the Florida native at The Well on Sunday, June 26 are Plies, Toosi, Renni Rucci & Lil Poppa*.

Presale tickets are available Thursday, May 12 with general tickets on sale Friday, May 13 at 10 AM. The ONLY official ticketing partners of Bon Secours Wellness Arena are Ticketmaster and the GSP International Airport Box Office located at the arena.

Blessed with a special singing voice, and the knowledge of how best to use it, Florida’s Rod Wave is taking his own path to the top of the game. Coming through with a soulful set of Southern sing-raps, the St. Petersburg native has built a groundswell of regional support and blossomed into a national streaming phenomenon.

After releasing 3 projects in a 12 month span – Hunger Games 3, PTSD, and the platinum-certified Ghetto Gospel – Rod first erupted onto the scene with “Heart On Ice.” The single, propelled by a captivating Genius Open Mic performance, a viral TikTok trend, and co-signs from NFL star Saquon Barkley to 21 Savage and everyone in between, was certified 3x-platinum, peaked at #25 on the Billboard Hot 100 charts and reached #1 at urban radio.

Rod’s debut album, Pray 4 Love, debuted at #2 on the Billboard 200 charts and was certified platinum less than a year after its release. The album’s breakthrough single, “Rags2Riches,” exploded over the summer with a viral TikTok trend and a remix from Lil Baby, peaking at #12 on the Hot 100. Rod’s sophomore album, SoulFly, surpassed Pray 4 Love by becoming Rod’s first-ever #1 album on the Billboard charts. Lead single “Tombstone” is Rod’s highest charting single to-date, peaking at #11 on the Hot 100.

Grab tickets at the GSP International Airport Box Office at the arena as well as https://www.ticketmaster.com/event/2D005CA9DB1751AB

*Lineup is subject to change without notice.

Franz Schubert’s Piano Quintet in A Major, the “Trout,” has endured as a bright favorite in the chamber music repertoire. Known as the Trout because the fourth movement is a set of variations on Schubert’s earlier Lied “Die Forelle” (“The Trout”), this work is unusually scored for piano, violin, viola, cello, and double bass, lending nuanced texture and depth to this composition.

PERFORMANCE & ARTIST DETAILS

BUNCH Summer Hours for Winds and Piano
Deloise Lima, piano
Am Porter, flute
Eric Ohlsson, oboe
Dan Gilbert, clarinet
Glenn Einschlag, bassoon
Elizabeth Freimuth, horn

EWALD Brass Quintet No. 3
Raymond Riccomini and Michael Dobrinski, trumpets
Hazel Dean Davis, horn
David Jackson, trombone
Aubrey Foard, tuba

WALKER Lyric for Strings
Jason Posnock, violin I
Margaret Karp, violin II
Juliet White-Smith, viola
Pei-An Chen, cello

SCHUBERT Trout Quintet
Donna Lee, piano
Nikki Chooi, violin
Scott Rawls, viola
Benjamin Hughes, cello
Craig Brown, double bass

Auditorium seating is reserved.

GRAMMY® Award-winners, Billboard chart toppers, and local favorite, the Rangers return to the stage at Brevard Music Center for another not-to-be-missed North Carolina summer tradition.

Auditorium seating is reserved.  Lawn seating is general admission.

Co-produced with Mountain Song Productions.