Events Calendar
Explore family friendly events, theatres, galleries, concerts, nightlife, things to do, and more in the Greenville, SC and Upstate areas.
Registration is OPEN for our winter Foreign Language Classes.
Learn~Speak~Connect with classes at Upstate International. DON’T DELAY: Classes fill up quickly!
Classes begin the week of January 3rd and will be completed by February 25th, then followed by our spring semester. Upstate International offers both once/week regular and twice/week intensive classes, online and in-house. English, French, German, Italian, Japanese, Russian and Spanish. Check the schedule for details. Click here: http://events.r20.constantcontact.com/register/event?oeidk=a07eiwswdx0d921b8c1&llr=4w9vvofab&showPage=true.
The Blood Connection (TBC) now has an urgent need for O negative blood donations specifically in its Upstate region, which includes Greenville, Spartanburg, Lexington, Easley, Greenwood, and Seneca in South Carolina as well as Asheville and Hendersonville in western North Carolina. TBC is the exclusive blood provider for all hospitals in these regions.
O negative blood is the most transfused blood type for traumas and emergencies, so the demand never wavers. O negative blood donors are often referred to as the “universal donor” since everyone, no matter their blood type, can receive O negative blood. TBC now finds itself with dangerously low inventory levels of O negative blood and blood products caused by continued low donor turnout and recent trauma cases at TBC hospital partners in South Carolina.
The only way for the O negative blood supply to be replenished is for the public to donate blood. Anyone who knows they have O negative blood is urged to donate blood with TBC immediately. If potential donors do not know their blood type, they can donate with TBC and blood type information will be shared.
TBC has spent the past year battling historically low blood donor turnout. After many pleas with the South Carolina and North Carolina community, TBC has seen some recovery from these low collection numbers, but not enough to comfortably sustain the local hospital blood supply. TBC aims to have a 5-7 day supply of O negative blood but has recently had a 2-3 day supply. In some instances, one trauma case alone can use up that supply. Only about 7% of the world’s population has O negative blood.
To find a donor center or mobile unit location to donate, go to thebloodconnection.org/donate, call 864-751-1154, or walk into any donor center or mobile unit. TBC has eight donor center locations in the Upstate and western North Carolina regions.
This class is for either the intermediate or the beginning student. Beginners learn basic skills at the potter’s wheel and intermediate students learn the “why” along with the “how” to expand their wheel-turning skills through individualized instruction. price breakdown | $400 class fee + $50 materials fee Ceramics Studio classroom is located on the second floor of the Montgomery Building of the Chapman Cultural Center.
The Blood Connection (TBC) now has an urgent need for O negative blood donations specifically in its Upstate region, which includes Greenville, Spartanburg, Lexington, Easley, Greenwood, and Seneca in South Carolina as well as Asheville and Hendersonville in western North Carolina. TBC is the exclusive blood provider for all hospitals in these regions.
O negative blood is the most transfused blood type for traumas and emergencies, so the demand never wavers. O negative blood donors are often referred to as the “universal donor” since everyone, no matter their blood type, can receive O negative blood. TBC now finds itself with dangerously low inventory levels of O negative blood and blood products caused by continued low donor turnout and recent trauma cases at TBC hospital partners in South Carolina.
The only way for the O negative blood supply to be replenished is for the public to donate blood. Anyone who knows they have O negative blood is urged to donate blood with TBC immediately. If potential donors do not know their blood type, they can donate with TBC and blood type information will be shared.
TBC has spent the past year battling historically low blood donor turnout. After many pleas with the South Carolina and North Carolina community, TBC has seen some recovery from these low collection numbers, but not enough to comfortably sustain the local hospital blood supply. TBC aims to have a 5-7 day supply of O negative blood but has recently had a 2-3 day supply. In some instances, one trauma case alone can use up that supply. Only about 7% of the world’s population has O negative blood.
To find a donor center or mobile unit location to donate, go to thebloodconnection.org/donate, call 864-751-1154, or walk into any donor center or mobile unit. TBC has eight donor center locations in the Upstate and western North Carolina regions.
PROJECT MANAGEMENT
This interactive course is for people who manage projects and need to formalize their department or organization’s approach to managing projects.
We will walk through the project management phases (Initiation, Planning, Implementation, Monitoring, Closeout) building a project together as participants learn the foundational principles of project management.
Participants of this course will understand:
- The foundational principles of project management.
- The goals and benefits of implementing Project Management.
- How to utilize the basic framework for successful project implementation.
Participants of this course will be able to:
- Utilize a project management framework to think strategically for successful project completion.
- Include the appropriate team members in all project phases.
- Lead others to be organizational-focused; considering the impact of work on others in all phases of a project.
- Implement the use of best practices, techniques and repeatable processes that will guide in managing people, activities, and resources involved in projects; enabling projects to be delivered with efficiency and consistency.
- Establish a clear plan, manage risks, improve collaboration and communication.
- Immediately apply learnings to ongoing projects.
This course is held in partnership with Employers Network and OneSpartanburg, Inc.
This class will meet every Monday for six weeks. Improv 201 is an introduction to the patterns that make up a scene. This class will focus on the fundamentals of scene pattern recognition, creation, and heightening.
The Blood Connection (TBC) now has an urgent need for O negative blood donations specifically in its Upstate region, which includes Greenville, Spartanburg, Lexington, Easley, Greenwood, and Seneca in South Carolina as well as Asheville and Hendersonville in western North Carolina. TBC is the exclusive blood provider for all hospitals in these regions.
O negative blood is the most transfused blood type for traumas and emergencies, so the demand never wavers. O negative blood donors are often referred to as the “universal donor” since everyone, no matter their blood type, can receive O negative blood. TBC now finds itself with dangerously low inventory levels of O negative blood and blood products caused by continued low donor turnout and recent trauma cases at TBC hospital partners in South Carolina.
The only way for the O negative blood supply to be replenished is for the public to donate blood. Anyone who knows they have O negative blood is urged to donate blood with TBC immediately. If potential donors do not know their blood type, they can donate with TBC and blood type information will be shared.
TBC has spent the past year battling historically low blood donor turnout. After many pleas with the South Carolina and North Carolina community, TBC has seen some recovery from these low collection numbers, but not enough to comfortably sustain the local hospital blood supply. TBC aims to have a 5-7 day supply of O negative blood but has recently had a 2-3 day supply. In some instances, one trauma case alone can use up that supply. Only about 7% of the world’s population has O negative blood.
To find a donor center or mobile unit location to donate, go to thebloodconnection.org/donate, call 864-751-1154, or walk into any donor center or mobile unit. TBC has eight donor center locations in the Upstate and western North Carolina regions.
Dates: July 11 – 16, 2022
Application: Available now through MyBMC
Cost: A $600 fee covers all housing, meals, classes, materials, and concert tickets. Spots are limited and applications will be reviewed on a rolling basis.
Please note: Proof of COVID-19 vaccination is required for all students, faculty, and summer staff for the 2022 season. Please see our FAQ page for more information.
Program Summary
Brevard Music Center (BMC) presents The Brevard Project: Reimagining the Future of Orchestral Programming, a six-day intensive seminar and think-tank on orchestral programming intended for professionals and influencers in the orchestral field. Presented by Brevard Music Center in partnership with Bard College, the Blair School of Music at Vanderbilt University, the Chicago Sinfonietta, the South Dakota Symphony, the University of Michigan School of Music, and Project Director Joseph Horowitz, The Brevard Project takes place July 11-16, 2022. The central goals of The Brevard Project are to re-evaluate the artistic mission of the American orchestra and to share the skills needed to curate a more comprehensive, more inclusive American orchestral repertoire.
Curriculum
The Brevard Project: Reimagining the Future of Orchestral Programing complements Brevard Music Center’s week-long “Dvořák’s Prophecy” festival from July 11-16 and is inspired by Joseph Horowitz’s acclaimed new book Dvořák’s Prophecy and the Vexed Fate of Black Classical Music. Part think-tank, part seminar, this inaugural Project gathering equips practitioners and scholars alike to begin to answer questions about the dense nexus of culture and race, of historical, political, and moral reckonings surrounding the story of American orchestral music. The central goals of this program are to re-evaluate the artistic mission of the American orchestra and to share the skills needed to curate a more comprehensive, more inclusive American orchestral repertoire. The Brevard Project is designed for conductors, artistic administrators, executive directors, community engagement specialists, conservatory students, and engaged orchestra Board members.
Moving forward requires a fresh and closer look at our musical past – and to the lagging formation of an American symphonic canon. A new narrative of American classical music will be proposed that explores timely and topical issues that impact present and future orchestral programming. Why did our repertoire remain so stubbornly Eurocentric? What can we learn from this history? What can be mined from the treasure trove of long-hidden indigenous and Black music that can help to pave the future?
Classroom sessions will be highly interactive, drawing upon first-hand accounts of humanities-infused approaches to programming and community engagement. Topics of exploration include creating a “new paradigm” for American orchestral repertoire, rethinking the concert experience, and redefining the role of the music director. Participants will be challenged to envision programming and organizational initiatives to promote symphonic events grounded in the American experience, past and present.
The Faculty
A remarkable faculty has been assembled for this groundbreaking exercise.
*virtual participant
Joseph Horowitz, Project Director
Leon Botstein, President, Bard College; Music Director, American Symphony; Founder, Bard Festival and The Orchestra Now
Lorenzo Candelaria, Dean, Blair School of Music at Vanderbilt University
Mark Clague, Music Historian, University of Michigan
JoAnn Falletta*, Music Director, Buffalo Philharmonic Orchestra
Christopher Gibbs*, Music Historian, Bard Conservatory; Artistic Co-Director, Bard Festival
Delta David Gier, Music Director, South Dakota Symphony
Blake-Anthony Johnson, CEO, Chicago Sinfonietta
Keith Lockhart*, Artistic Director, Brevard Music Center
Douglas McLennan, Founder/Editor, ArtsJournal
Jason Posnock, Chief Artistic Officer, Brevard Music Center
Jesse Rosen, Former CEO, League of American Orchestras
Larry Tamburri, CEO, Newark School of the Arts (former CEO, Pittsburgh and New Jersey Symphonies)
The Performers
Lara Downes, Pianist, producer, arts advocate
Sidney Outlaw, Baritone/pedagogue, Ithaca College
George Shirley, Tenor/pedagogue, University of Michigan
Enrollment Information
Conductors, artistic administrators, executive directors, community engagement specialists, conservatory students, and Board members are all encouraged to apply for The Brevard Project.
Capacity is limited. A $600 fee covers all housing, meals, classes, materials, and concert tickets for the week. Applications will be reviewed on a rolling basis. Apply now through MyBMC.
Please join us for our regular monthly meetup.
Running Order (Subject to Change):
11:30 am: Arrive for networking and refreshments
11:45 am – Opening remarks
12 pm – Speaker
12:40 pm – Open Q&A Session
12:50 pm – Closing remarks & Social
1:00 pm – End
******Anyone that comes to the MeetUp gets 3 MONTH FREE HOSTING of the Swift Hosting plan from our sponsor A2HOSTING.COM (https://www.a2hosting.com/web-hosting)******
Come prepared to listen to a great talk!!!
Important to know:
We use the same Code of Conduct for our Meetup that we use for WordCamp Greenville, and it can be found here: https://2020.greenville.wordcamp.org/code-of-conduct/
Please be kind and courteous to all attendees and employees!
Protecting Water Quality in Local Streams
Join us for Protecting the Environment, a series of classes taught by NC State Cooperative Extension Agent, Steve Pettis. The second class in this series is Protecting Water Quality in Local Streams. Class will be offered in person for the first 20 participants, ZOOM thereafter for more than 20. $16.
Join us for Protecting the Environment, a series of classes taught by NC State Cooperative Extension Agent, Steve Pettis. The second class in this series is Protecting Water Quality in Local Streams.
Class will be offered in person for the first 24 participants, ZOOM thereafter for more than 24. $16.
May 19, 2:00pm-3:30pm.
Protecting Water Quality in Local Streams
Join us for Protecting the Environment, a series of classes taught by NC State Cooperative Extension Agent, Steve Pettis. The second class in this series is Protecting Water Quality in Local Streams. Class will be offered in person for the first 20 participants, ZOOM thereafter for more than 20. $16.
Word II
Learn to incorporate borders, clip art, text boxes, word art, and more to add flare to basic Word documents. Participants must be familiar with basic Microsoft Word editing features. Registration required. Call 864-527-9258 to register.
- Starts in March
- Thursdays at 6:30 p.m. | Beginner Class
- Thursdays at 7:15 p.m. | Beginner II Class
- $30/student/4-week session
- $10/person/session (Beginner II class only)
- No pre-registration necessary | Pay on first day of class
The Blood Connection (TBC) now has an urgent need for O negative blood donations specifically in its Upstate region, which includes Greenville, Spartanburg, Lexington, Easley, Greenwood, and Seneca in South Carolina as well as Asheville and Hendersonville in western North Carolina. TBC is the exclusive blood provider for all hospitals in these regions.
O negative blood is the most transfused blood type for traumas and emergencies, so the demand never wavers. O negative blood donors are often referred to as the “universal donor” since everyone, no matter their blood type, can receive O negative blood. TBC now finds itself with dangerously low inventory levels of O negative blood and blood products caused by continued low donor turnout and recent trauma cases at TBC hospital partners in South Carolina.
The only way for the O negative blood supply to be replenished is for the public to donate blood. Anyone who knows they have O negative blood is urged to donate blood with TBC immediately. If potential donors do not know their blood type, they can donate with TBC and blood type information will be shared.
TBC has spent the past year battling historically low blood donor turnout. After many pleas with the South Carolina and North Carolina community, TBC has seen some recovery from these low collection numbers, but not enough to comfortably sustain the local hospital blood supply. TBC aims to have a 5-7 day supply of O negative blood but has recently had a 2-3 day supply. In some instances, one trauma case alone can use up that supply. Only about 7% of the world’s population has O negative blood.
To find a donor center or mobile unit location to donate, go to thebloodconnection.org/donate, call 864-751-1154, or walk into any donor center or mobile unit. TBC has eight donor center locations in the Upstate and western North Carolina regions.
Dates: July 11 – 16, 2022
Application: Available now through MyBMC
Cost: A $600 fee covers all housing, meals, classes, materials, and concert tickets. Spots are limited and applications will be reviewed on a rolling basis.
Please note: Proof of COVID-19 vaccination is required for all students, faculty, and summer staff for the 2022 season. Please see our FAQ page for more information.
Program Summary
Brevard Music Center (BMC) presents The Brevard Project: Reimagining the Future of Orchestral Programming, a six-day intensive seminar and think-tank on orchestral programming intended for professionals and influencers in the orchestral field. Presented by Brevard Music Center in partnership with Bard College, the Blair School of Music at Vanderbilt University, the Chicago Sinfonietta, the South Dakota Symphony, the University of Michigan School of Music, and Project Director Joseph Horowitz, The Brevard Project takes place July 11-16, 2022. The central goals of The Brevard Project are to re-evaluate the artistic mission of the American orchestra and to share the skills needed to curate a more comprehensive, more inclusive American orchestral repertoire.
Curriculum
The Brevard Project: Reimagining the Future of Orchestral Programing complements Brevard Music Center’s week-long “Dvořák’s Prophecy” festival from July 11-16 and is inspired by Joseph Horowitz’s acclaimed new book Dvořák’s Prophecy and the Vexed Fate of Black Classical Music. Part think-tank, part seminar, this inaugural Project gathering equips practitioners and scholars alike to begin to answer questions about the dense nexus of culture and race, of historical, political, and moral reckonings surrounding the story of American orchestral music. The central goals of this program are to re-evaluate the artistic mission of the American orchestra and to share the skills needed to curate a more comprehensive, more inclusive American orchestral repertoire. The Brevard Project is designed for conductors, artistic administrators, executive directors, community engagement specialists, conservatory students, and engaged orchestra Board members.
Moving forward requires a fresh and closer look at our musical past – and to the lagging formation of an American symphonic canon. A new narrative of American classical music will be proposed that explores timely and topical issues that impact present and future orchestral programming. Why did our repertoire remain so stubbornly Eurocentric? What can we learn from this history? What can be mined from the treasure trove of long-hidden indigenous and Black music that can help to pave the future?
Classroom sessions will be highly interactive, drawing upon first-hand accounts of humanities-infused approaches to programming and community engagement. Topics of exploration include creating a “new paradigm” for American orchestral repertoire, rethinking the concert experience, and redefining the role of the music director. Participants will be challenged to envision programming and organizational initiatives to promote symphonic events grounded in the American experience, past and present.
The Faculty
A remarkable faculty has been assembled for this groundbreaking exercise.
*virtual participant
Joseph Horowitz, Project Director
Leon Botstein, President, Bard College; Music Director, American Symphony; Founder, Bard Festival and The Orchestra Now
Lorenzo Candelaria, Dean, Blair School of Music at Vanderbilt University
Mark Clague, Music Historian, University of Michigan
JoAnn Falletta*, Music Director, Buffalo Philharmonic Orchestra
Christopher Gibbs*, Music Historian, Bard Conservatory; Artistic Co-Director, Bard Festival
Delta David Gier, Music Director, South Dakota Symphony
Blake-Anthony Johnson, CEO, Chicago Sinfonietta
Keith Lockhart*, Artistic Director, Brevard Music Center
Douglas McLennan, Founder/Editor, ArtsJournal
Jason Posnock, Chief Artistic Officer, Brevard Music Center
Jesse Rosen, Former CEO, League of American Orchestras
Larry Tamburri, CEO, Newark School of the Arts (former CEO, Pittsburgh and New Jersey Symphonies)
The Performers
Lara Downes, Pianist, producer, arts advocate
Sidney Outlaw, Baritone/pedagogue, Ithaca College
George Shirley, Tenor/pedagogue, University of Michigan
Enrollment Information
Conductors, artistic administrators, executive directors, community engagement specialists, conservatory students, and Board members are all encouraged to apply for The Brevard Project.
Capacity is limited. A $600 fee covers all housing, meals, classes, materials, and concert tickets for the week. Applications will be reviewed on a rolling basis. Apply now through MyBMC.
A fury is building on the surface of the Sun: high-velocity jets, a fiery tsunami wave 100,000 km high, rising loops of electrified gas. What’s driving these strange phenomena? How will they affect planet Earth? Find the answers as we venture into the seething interior of our star.
TCMU Ambassadorship:
Join our elite volunteer program for 14+ years of age who fulfill TCMU’s mission while serving families and children as a liaison between TCMU teams and guests. Ambassadors will directly support Programming and Guest Services, acting as mobile sources of information through implementation of museum policies, programming, and protocols. The TCMU Ambassador program offers various opportunities for professional development, networking with board members and community leaders and interaction with guests of all cultures.
- Ambassador: Accepting applicants on an on-going basis. Requires time commitment of 60 hours across a 6 month program.
- Ambassador Fellow: Applications open July-August and program runs from August-August. Requires time commitment of 120 hours minimum, across 1 year. Attendance required at 4 professional development workshops facilitated by Greenville leaders.
Duties include (but are not limited to) museum floor management, program support, greeting guests, TCMU Store support, scavenger hunt or museum play facilitator, birthday party support and general prep work.
- MON-SAT: 9AM-1PM OR 1PM-5PM
- SUN: 11AM-2PM OR 2PM-5PM
Dates: July 11 – 16, 2022
Application: Available now through MyBMC
Cost: A $600 fee covers all housing, meals, classes, materials, and concert tickets. Spots are limited and applications will be reviewed on a rolling basis.
Please note: Proof of COVID-19 vaccination is required for all students, faculty, and summer staff for the 2022 season. Please see our FAQ page for more information.
Program Summary
Brevard Music Center (BMC) presents The Brevard Project: Reimagining the Future of Orchestral Programming, a six-day intensive seminar and think-tank on orchestral programming intended for professionals and influencers in the orchestral field. Presented by Brevard Music Center in partnership with Bard College, the Blair School of Music at Vanderbilt University, the Chicago Sinfonietta, the South Dakota Symphony, the University of Michigan School of Music, and Project Director Joseph Horowitz, The Brevard Project takes place July 11-16, 2022. The central goals of The Brevard Project are to re-evaluate the artistic mission of the American orchestra and to share the skills needed to curate a more comprehensive, more inclusive American orchestral repertoire.
Curriculum
The Brevard Project: Reimagining the Future of Orchestral Programing complements Brevard Music Center’s week-long “Dvořák’s Prophecy” festival from July 11-16 and is inspired by Joseph Horowitz’s acclaimed new book Dvořák’s Prophecy and the Vexed Fate of Black Classical Music. Part think-tank, part seminar, this inaugural Project gathering equips practitioners and scholars alike to begin to answer questions about the dense nexus of culture and race, of historical, political, and moral reckonings surrounding the story of American orchestral music. The central goals of this program are to re-evaluate the artistic mission of the American orchestra and to share the skills needed to curate a more comprehensive, more inclusive American orchestral repertoire. The Brevard Project is designed for conductors, artistic administrators, executive directors, community engagement specialists, conservatory students, and engaged orchestra Board members.
Moving forward requires a fresh and closer look at our musical past – and to the lagging formation of an American symphonic canon. A new narrative of American classical music will be proposed that explores timely and topical issues that impact present and future orchestral programming. Why did our repertoire remain so stubbornly Eurocentric? What can we learn from this history? What can be mined from the treasure trove of long-hidden indigenous and Black music that can help to pave the future?
Classroom sessions will be highly interactive, drawing upon first-hand accounts of humanities-infused approaches to programming and community engagement. Topics of exploration include creating a “new paradigm” for American orchestral repertoire, rethinking the concert experience, and redefining the role of the music director. Participants will be challenged to envision programming and organizational initiatives to promote symphonic events grounded in the American experience, past and present.
The Faculty
A remarkable faculty has been assembled for this groundbreaking exercise.
*virtual participant
Joseph Horowitz, Project Director
Leon Botstein, President, Bard College; Music Director, American Symphony; Founder, Bard Festival and The Orchestra Now
Lorenzo Candelaria, Dean, Blair School of Music at Vanderbilt University
Mark Clague, Music Historian, University of Michigan
JoAnn Falletta*, Music Director, Buffalo Philharmonic Orchestra
Christopher Gibbs*, Music Historian, Bard Conservatory; Artistic Co-Director, Bard Festival
Delta David Gier, Music Director, South Dakota Symphony
Blake-Anthony Johnson, CEO, Chicago Sinfonietta
Keith Lockhart*, Artistic Director, Brevard Music Center
Douglas McLennan, Founder/Editor, ArtsJournal
Jason Posnock, Chief Artistic Officer, Brevard Music Center
Jesse Rosen, Former CEO, League of American Orchestras
Larry Tamburri, CEO, Newark School of the Arts (former CEO, Pittsburgh and New Jersey Symphonies)
The Performers
Lara Downes, Pianist, producer, arts advocate
Sidney Outlaw, Baritone/pedagogue, Ithaca College
George Shirley, Tenor/pedagogue, University of Michigan
Enrollment Information
Conductors, artistic administrators, executive directors, community engagement specialists, conservatory students, and Board members are all encouraged to apply for The Brevard Project.
Capacity is limited. A $600 fee covers all housing, meals, classes, materials, and concert tickets for the week. Applications will be reviewed on a rolling basis. Apply now through MyBMC.
