Baker Exhibit Center

In an age of complex environmental challenges, why not look to the ingenuity of nature for solutions? The forms, patterns, and processes found in the natural world—refined by 3.8 billion years of evolution—can inspire our design of everything from clothing to skyscrapers. This approach to innovation, called biomimicry, is becoming increasingly popular.

Nature’s Blueprints is supported in part by The North Carolina Arboretum Society, The Laurel of Asheville, RomanticAsheville.com Travel Guide, and Smoky Mountain Living Magazine.

TUESDAY – FRIDAY 9 AM – 5 PM
SATURDAY 11 AM – 3 PM

n Long Overdue, Traci Wright Martin and Michelle Radford underscore the importance of recognizing and acknowledging women’s contributions. Traci Wright Martin’s charcoal and mixed media series, “Art Herstory and the Moth,” focuses on underrepresented women in art history, paying tribute to them through visual quotations and symbolism. Michelle Radford highlights the historical oversight of women’s textile work and aims to bring recognition to their innovative designs as valuable artistic expressions.

Both artists challenge traditional perceptions of gender norms, albeit in different contexts. Wright Martin challenges the overshadowing of female artists in art history by drawing a parallel to imagery of moths. Often an overlooked organism, the moth in Martin’s work symbolizes the need for representation of the feminine art experience. Meanwhile, Radford challenges distinctions between art and craft, conceptual and decorative, urging viewers to reconsider their attitudes toward women’s stitchwork and handicrafts.

ABOUT THE ARTISTS

MICHELLE BERG RADFORD

Michelle Berg Radford is a multi-disciplinary artist working at the intersection of women’s craft and what is considered “fine art painting.” Michelle earned an MFA from the Savannah College of Art and Design where she studied landscape painting and fiber arts. Michelle is also an educator with 16 years of teaching experience in higher education.

For millennia, women have expressed their creativity and skill in clothing their families and
caring for their private spaces through textiles. Their innovative designs have often been
overlooked as art, but are now slowly being recognized for the innovative and insightful
works that they are.

In this work, I join women’s handicrafts with landscape painting, a well-trodden genre in art, to introduce a new way of looking at both. These pieces begin as flat canvas studio paintings which I then fold and stitch to create dimensional smocked paintings. I borrow a time-honored heirloom sewing technique traditionally employed by women to construct garments and translate it through scale into contemporary sculptural paintings. By
presenting these works in a gallery setting in which fine art is viewed, the viewer is called to
acknowledge women’s stitch-work as valuable expressions of the maker and to question their own attitudes about the common distinctions between art versus craft, skilled versus
unskilled, conceptual versus decorative, and fine versus ordinary.

In the process a substantial portion of the painting is hidden, an apt metaphor for the
hiddenness of much of women’s valuable work of caring.

TRACI WRIGHT MARTIN

Traci Wright Martin is an award-winning charcoal and mixed media artist. The overall narrative in her portrait and figurative work addresses the idea of representation, weaving contemporary realism with abstract design elements. Her pioneering approach to mixed media utilizes charcoal as the foundation and brings in various combinations of paint, patterned paper collage and other experimental techniques to the finished design. The primary thematic focus in Martin’s work is the legacy and evolution of the female experience and its influence on artmaking and cultural traditions. She ties an autobiographical visual philosophy to the broader, shared human experience through symbolic elements of nature in a unique, yet relatable style.

After graduating with a BA in Art from Southeastern Oklahoma State University, she spent her early career showing extensively in the Oklahoma and Texas art scenes, with artist teaching residencies in Oklahoma, Arizona and Alaska. Solo and group shows have included the Oklahoma State Capitol gallery, Oklahoma Contemporary, The Charles B. Goddard Center, IAO Gallery, 33 Contemporary Gallery in Chicago, the Wausau Museum of Contemporary Art, Brookgreen Gardens Museum, The Grand Bohemian Gallery, and both the Equity Gallery and the Salmagundi Club in New York City. She has received numerous awards and top accolades in international, national and regional juried shows, claiming multiple “Best in Show” titles. Her work has been featured in a number of publications including Fine Art Connoisseur, Artist’s Network: Best of Drawing, American Art Collector, International Artist, Pastel Journal, New Visionary Artist Magazine, and a selection of titles for PoetsArtists. Martin’s first book, a retrospective of her work entitled “North/South”, is being published in 2024 by Snap Collective in Copenhagen, Denmark.

GENEROUS SUPPORT PROVIDED BY MEDIA SPONSOR

Weekly art camps at GCCA are designed to let kids ages 5-12 explore their creativity through a range of materials and concepts. Each week features a different engaging theme for children to explore through multiple mediums and includes professional guest artists who demonstrate technique and discuss what makes their work unique.

Monday-Friday
9am-12pm

Multi-Color Magic, June 3-7
Animation and Creation, June 10-14
Dive into (Water)color, June 17-21
Homegrown Art, June 24-28
ARTcycling, July 8-12
Out of this World Art!, July 15-19
Jurassic ART, July 22-26
Back to School is COOL!, July 29-August 2

Located within the wildly-popular and botanically beautiful Southern Appalachian Mountains, The North Carolina Arboretum offers more than 10 miles of hiking trails that connect to many other area attractions such as Lake Powhatan, the Pisgah National Forest and the Blue Ridge Parkway. Visitors of all ages and abilities can enjoy their hiking experience at the Arboretum as trail options include easy, moderate, and difficult challenge levels. All trails are dog-friendly and visitors are asked to adhere to the proper waste disposing procedures for pets.

Part of a running group that would like to use the Arboretum as a starting point or parking location? Please review our Running Group Guidance and email [email protected] with any questions.

All farm volunteer hours will be held at our Sullivan Street Farm location (15 Bolt Street, Greenville, SC, 29605, look for a white and grey pavilion-like building and metal garden beds, the yellow X on the map below denotes the location where we’ll meet before getting started on tasks).

Help with greenhouse tasks such as seeding, potting up transplants, labeling/organizing plant trays. Help with urban farm tasks such as weeding, mulching, composting/fertilizing, seeding, transplanting, harvesting.

This work will take place outdoors so you should dress accordingly (layers are always a good idea) in something you don’t mind getting dirty. Closed toe shoes are required. Items like sunscreen and/or hats are helpful. Please bring a water bottle and feel free to bring snacks if you’d like.

**PLEASE NOTE: These volunteer shifts require physical labor that involves activities such as bending, lifting, and standing for long periods of time. We also may use tools such as drills, hammers, shovels, wheelbarrows, etc. Please be prepared to work hard and have some fun!**

**PLEASE NOTE: We do not accept volunteers aged 12 or younger. Additionally, anyone under the age of 18 must be accompanied by a legal guardian or supervising adult.**

Bill and Sonny will be guiding us through the process of growing your own food, seed to harvest!

• Neighbors will receive $10 RENEW Rewards for each class attended.
• The first 4 classes will be held at Greer Relief, the last 2 will be held at the Community Garden.
• After attending the class neighbors will become eligible to help at the Community Garden and earn RENEW Rewards.

Sigal Music Museum’s current special exhibition, Worlds Apart: Musical Instruments from Secular to Sacred, highlights items from the JoAnn and Frank Edwinn Collection, which hails from all over the world. Showing November 2023 – May 2024, Worlds Apart uses a diverse range of historical instruments, objects, and visuals to bring together musical narratives from seemingly disparate parts of the globe.

 

Worlds Apart: Musical Instruments from Secular to Sacred aims to increase public access to historical instruments from around the world and improve visitors’ understanding of musical traditions at the global level. Expanding beyond the typical parameters of the Western musical canon, Worlds Apart seeks to expose audiences to musical instruments and customs that are often overlooked or exotified. The instruments and other exhibit materials will offer visitors new perspectives on global music and a chance to consider how music is used for prayer and leisure in cultures around the world. By celebrating these stories, the museum intends to further its mission to collect and preserve historical musical instruments, objects, and information, which engage and enrich people of all ages through exhibits, performances, and experiential programs.

 

Displaying various objects from the JoAnn and Frank Edwinn Collection, Worlds Apart: Musical Instruments from Secular to Sacred focuses on international musical instruments and cultures, celebrating rites and traditions with ancient histories and contemporary legacies. Frank Edwinn, a successful basso in the mid-20th century, studied and toured internationally, eventually settling in North Carolina, where he taught music at the University of North Carolina Asheville. Throughout his life, he purchased various objects from around the world, aiming to expose students, and himself, to the wide and wonderful world of musical instruments. This impressive collection occupies a unique position for educating audiences unfamiliar with the vast scope of global music.

And, UNCA’s Ramsey Library Special Collections is now processing the Edwinn’s papers and a few recordings that will be accessible next semester!

The YWCA Racial Justice Workshop is open to our entire YWCA Asheville community – including our staff, volunteers, board, donors, program participants, Fitness Center and community members. This 90-minute workshop will take place on the second Tuesday of each month at 11:30 am and will be facilitated by Gerry Leonard, Racial Justice & Outreach Specialist and Lexus Walker, Tzedek Social Justice Fellow.

MEN’S BASKETBALL