Events Calendar
Explore family friendly events, theatres, galleries, concerts, nightlife, things to do, and more in the Greenville, SC and Upstate areas.
Interested in adding an event to our calendar? Please click the green “Post Your Event” button below.
Join us for an epic evening of Hot Yoga with the amazing RadDad’s at Swanson’s Warehouse! Get ready to sweat it out and groove to the beats of the Talking Heads. This in-person event is perfect for yoga enthusiasts and music lovers alike. Bring your friends, and your funky moves for a night of pure bliss. Don’t miss out on this unique experience that will leave you feeling energized and refreshed. See you there!
Tom Pustinger calling squares and Nancy Pustinger cueing line dances between Square dance tips.
Holy Communion Lutheran Church’s
Gillespie Center Hall
1430 John B. White Blvd (Route 296)
Spartanburg, SC
|
Yoga classes every Monday beginning at 6:00 p.m. Limited to 25 people. For all ability levels. Bring your own mat and blanket. Charge for the class is $2.00 per person. |
Coco Live-to-Film Concert features a screening of the complete Disney Pixar film with Oscar® and Grammy®-winning composer Michael Giacchino’s musical score performed live by the 20-member Orquesta Folclórica Nacional de México. In addition to the original score by Giacchino, “Coco” also features the Oscar®-winning song “Remember Me” by Oscar-winning songwriters Kristen Anderson-Lopez and Robert Lopez and additional songs co-written by Germaine Franco and co-director and screenwriter Adrian Molina. Audiences will travel with Miguel (voice of Anthony Gonzalez) on his extraordinary journey to the colorful Land of the Dead to unlock the real story behind his family’s history set to a live orchestra.
Disney Pixar Coco es un evento especial que no te puedes perder. El evento consta de la proyección de la película, mientras la Orquesta Folclórica Nacional de México interpreta la música del compositor ganador del Oscar® y el Grammy®, Michael Giacchino, en vivo. Además de la música original de Giacchino, “Coco” también incluye la canción ganadora del Oscar® “Remember Me” de los compositores ganadores del Oscar Kristen Anderson-Lopez y Robert Lopez, así como otras canciones coescritas por Germaine Franco y el codirector y guionista Adrian Molina. La voz original de Miguel, Anthony Gonzalez, transportara a los espectadores a la colorida Tierra de los Muertos, para descubrir la verdadera historia de su familia.
Image courtesy of AMP Worldwide and Disney.
About the Movie: Despite his family’s baffling generations-old ban on music, Miguel (voice of Anthony Gonzalez) dreams of becoming an accomplished musician like his idol, Ernesto de la Cruz (voice of Benjamin Bratt). Desperate to prove his talent, Miguel finds himself in the stunning and colorful Land of the Dead following a mysterious chain of events. Along the way, he meets charming trickster Héctor (voice of Gael García Bernal), and together, they set off on an extraordinary journey to unlock the real story behind Miguel’s family history. Disney and Pixar’s Coco is directed by Lee Unkrich (Toy Story 3), co-directed by Adrian Molina (story artist Monsters University) and produced by Darla K. Anderson (Toy Story 3).
The Orquesta Folclórica Nacional de México of the Ballet Folclórico Nacional de México by Silvia Lozano, is a musical group that stands out for its ability to fuse pre-Hispanic instruments with instruments from the colonial era, thus creating a unique and distinctive sound that evokes the rich history and culture of Mexico.
This orchestra is made up of expert musicians who are highly trained in the interpretation of a wide variety of genres and styles of Mexican folk music, such as Mariachi music, Jarana music, Son music, and Huapango music, among others. In addition, their repertoire includes songs and instrumental pieces dating from pre-Hispanic and colonial times, which allows them to connect with the country’s historical and cultural roots.
Among the instruments used by the Orquesta Folclórica Nacional de México are traditional pre-Hispanic drums, such as the “Huehuetl “and “Tepobaztli”, as well as flutes, “Ocarinas” and other pre-Hispanic wind instruments. They also use guitars, violins, double basses, and other stringed instruments that date back to colonial times, resulting in a unique and surprising sound combination.
In conjunction with the dancers of the Ballet Folclórico Nacional de México by Silvia Lozano, the Orquesta Folclórica manages to transmit to the public the energy, passion, and diversity of Mexican culture through its music and dance, creating an authentic and exciting experience for all those who have the pleasure of enjoying the show.
Coco Live-to-Film Concert features a screening of the complete Disney Pixar film with Oscar® and Grammy®-winning composer Michael Giacchino’s musical score performed live by the 20-member Orquesta Folclórica Nacional de México. In addition to the original score by Giacchino, “Coco” also features the Oscar®-winning song “Remember Me” by Oscar-winning songwriters Kristen Anderson-Lopez and Robert Lopez and additional songs co-written by Germaine Franco and co-director and screenwriter Adrian Molina. Audiences will travel with Miguel (voice of Anthony Gonzalez) on his extraordinary journey to the colorful Land of the Dead to unlock the real story behind his family’s history set to a live orchestra.
Disney Pixar Coco es un evento especial que no te puedes perder. El evento consta de la proyección de la película, mientras la Orquesta Folclórica Nacional de México interpreta la música del compositor ganador del Oscar® y el Grammy®, Michael Giacchino, en vivo. Además de la música original de Giacchino, “Coco” también incluye la canción ganadora del Oscar® “Remember Me” de los compositores ganadores del Oscar Kristen Anderson-Lopez y Robert Lopez, así como otras canciones coescritas por Germaine Franco y el codirector y guionista Adrian Molina. La voz original de Miguel, Anthony Gonzalez, transportara a los espectadores a la colorida Tierra de los Muertos, para descubrir la verdadera historia de su familia.
Image courtesy of AMP Worldwide and Disney.
About the Movie: Despite his family’s baffling generations-old ban on music, Miguel (voice of Anthony Gonzalez) dreams of becoming an accomplished musician like his idol, Ernesto de la Cruz (voice of Benjamin Bratt). Desperate to prove his talent, Miguel finds himself in the stunning and colorful Land of the Dead following a mysterious chain of events. Along the way, he meets charming trickster Héctor (voice of Gael García Bernal), and together, they set off on an extraordinary journey to unlock the real story behind Miguel’s family history. Disney and Pixar’s Coco is directed by Lee Unkrich (Toy Story 3), co-directed by Adrian Molina (story artist Monsters University) and produced by Darla K. Anderson (Toy Story 3).
The Orquesta Folclórica Nacional de México of the Ballet Folclórico Nacional de México by Silvia Lozano, is a musical group that stands out for its ability to fuse pre-Hispanic instruments with instruments from the colonial era, thus creating a unique and distinctive sound that evokes the rich history and culture of Mexico.
This orchestra is made up of expert musicians who are highly trained in the interpretation of a wide variety of genres and styles of Mexican folk music, such as Mariachi music, Jarana music, Son music, and Huapango music, among others. In addition, their repertoire includes songs and instrumental pieces dating from pre-Hispanic and colonial times, which allows them to connect with the country’s historical and cultural roots.
Among the instruments used by the Orquesta Folclórica Nacional de México are traditional pre-Hispanic drums, such as the “Huehuetl “and “Tepobaztli”, as well as flutes, “Ocarinas” and other pre-Hispanic wind instruments. They also use guitars, violins, double basses, and other stringed instruments that date back to colonial times, resulting in a unique and surprising sound combination.
In conjunction with the dancers of the Ballet Folclórico Nacional de México by Silvia Lozano, the Orquesta Folclórica manages to transmit to the public the energy, passion, and diversity of Mexican culture through its music and dance, creating an authentic and exciting experience for all those who have the pleasure of enjoying the show.
Beginner’s workshop lesson at 7:30 P.M., then 8-11 P.M. Contra Dance with Country Waltzing at the break and the final dance. This is a partner dance but it’s not necessary to come with a partner. We have different live bands and callers.
The Monday Night Halloween Dance with Playing with Fyre 2: George Paul/Piano and Rob Zissette/Fiddle with Terry Doyle Calling! @ St. George’s Episcopal.
A CHRISTMAS CAROL (play)
Director: Connor Vetter
Assistant Director: TBD
Audition Workshop: Sat, Aug 26, 9am-12pm
Auditions: Tues, Sept 5 & Wed, Sept 6, 5:30-7:30pm
Callbacks: Sat, Sept 9, 10am-2pm
DISNEY’S THE LION KING JR. (musical)
Director: Adam Sanders
Assistant Director: TBD
Choreographer: Lustra Miller
Music Director: Ben Chumley
Audition Workshop: Sat, Oct 21, 9am-1pm
Auditions: Tues, Oct 31 & Wed, Nov 1, 5:30-7:30pm
Callbacks: Sat, Nov 4, 10am-4pm
THE RAINBOW FISH (play)
Director: TBD
Assistant Director: TBD
Audition Workshop: Sat, Jan 6, 2024, 9am-12pm
Auditions: Tues, Jan 9 or Wed, Jan 10, 2024, 5:30-7:30pm
Callbacks: Sat, Jan 13, 2024, 10am-2pm
GENERAL AUDITION INFO
CASTING POLICIES: Auditions are open to youth in the 3rd-12th grades, however the director for each show may look for a more specific age range that may not always include the younger ages. Specific age requirements and casting information for each show are posted in the Audition Notice for each production above. No roles have been pre-cast unless otherwise specifically stated in the audition notice. Youth of all ethnicities and backgrounds are encouraged to audition.
ETIQUETTE:
-
Please arrive at least 15 minutes early to fill out any necessary information sheets. Actors will audition in the order that they arrive. They do not need to stay the entire 2 hours of auditions. They will be able to leave once they audition.
-
Make sure to wear clothes and shoes that are comfortable to move around in. SYT discourages actors from “dressing up” for the part they desire. Actors should wear clothes that they feel comfortable in and that show their own personality and style.
PREPARATION:
Plays:
-
Actors are required to prepare a 1 minute monologue for the audition.
-
Actors should choose a monologue that shows off strong acting choices, clear diction and volume, and that is age-appropriate.
-
Memorization of your monologue is highly encouraged.
-
If you do not have a monologue, one will be provided for you at the audition. Monologues are available ahead of time, one month prior to auditions, at the Spartanburg Youth Theatre offices in the kiosk at the end of the hallway when you walk down the stairs to our area. You may use one of these monologues, or you may use one of your own choosing.
-
Bring your schedule to fill-in all of your potential rehearsal conflicts on the audition form – conflicts may NOT be added after casting!
Musicals:
-
Actors are required to prepare 16-32 bars of a musical theatre song for the audition. A song from a musical is recommended, however actors may sing any type of song.
-
Actors should choose a song that shows off vocal range, allows for strong acting choices, and that is age-appropriate.
-
Actors should bring their own sheet music. An accompanist will be provided. Singing from a music track or singing acapella is highly discouraged.
-
Memorization of your song is highly encouraged.
-
Singing a song from the specific show you’re auditioning for is discouraged. We prefer to hear your own style and range in a song you’re comfortable with from any show other than the one you’re auditioning for. Callbacks are when we’ll be able to hear you sing songs from the show.
-
If you do not have a song, one will be provided for you at the audition. Songs are available ahead of time, one month prior to auditions, at the Spartanburg Youth Theatre offices in the kiosk at the end of the hallway when you walk down the stairs to our area. You may use one of these songs, or you may use one of your own choosing.
-
A great resource for purchasing sheet music is www.musicnotes.com.
-
For musicals, you will not dance at auditions. You will only dance at callbacks (if called back).
-
Bring your schedule to fill-in all of your potential rehearsal conflicts on the audition form – conflicts may NOT be added after casting!
REGISTRATION: Save time and fill out your audition form ahead of time. An online audition form will be available the Friday before auditions on the Auditions page of our website (above). If you fill out your form ahead of time, head straight to the check-in table when you arrive and tell them you filled out your form online. It is not mandatory to fill out your form in advance. You may still fill out the form when you arrive.
WHERE: All auditions are held at the Chapman Cultural Center at 200 E. St. John Street, Spartanburg, South Carolina, 29306. Look for signs directing you where to go for registration.
WHEN: Please note the above audition dates and times for the current Spartanburg Youth Theatre season. Auditions are typically Tuesdays & Wednesdays from 5:30-7:30pm. Actors may arrive at any time during the 2 hour slot. Actors will audition in the order that they arrive. They do not need to stay the entire 2 hours of auditions. They will be able to leave once they audition.
Actors should only audition one of the two nights offered. If an actor cannot audition on the two offered dates, we MAY be able to accommodate a separate audition date, but we cannot guarantee it. Please contact us directly.
CALLBACKS: If necessary, the director may hold callbacks to see certain actors again before casting the show. If callbacks are necessary, they are typically held the Saturday following auditions, however callbacks are subject to change depending on actor and director availability. If an actor is unable to attend callbacks, we MAY be able to accommodate a separate callback date, but we cannot guarantee it. If called back, contact us and we will see what we can do.
If an actor must arrive late or leave early, we will do our best to accommodate the conflict, but cannot guarantee that we will be able to make sure the actor is seen before they have to leave early or after they’ve arrived late.
A callback list will be posted on the Auditions page of our website (above), usually the Thursday after auditions. At callbacks, actors will read scenes from the script. For musicals, in addition to reading scenes, actors will learn songs from the show and learn a short dance combination.
A CHRISTMAS CAROL (play)
Director: Connor Vetter
Assistant Director: TBD
Audition Workshop: Sat, Aug 26, 9am-12pm
Auditions: Tues, Sept 5 & Wed, Sept 6, 5:30-7:30pm
Callbacks: Sat, Sept 9, 10am-2pm
DISNEY’S THE LION KING JR. (musical)
Director: Adam Sanders
Assistant Director: TBD
Choreographer: Lustra Miller
Music Director: Ben Chumley
Audition Workshop: Sat, Oct 21, 9am-1pm
Auditions: Tues, Oct 31 & Wed, Nov 1, 5:30-7:30pm
Callbacks: Sat, Nov 4, 10am-4pm
THE RAINBOW FISH (play)
Director: TBD
Assistant Director: TBD
Audition Workshop: Sat, Jan 6, 2024, 9am-12pm
Auditions: Tues, Jan 9 or Wed, Jan 10, 2024, 5:30-7:30pm
Callbacks: Sat, Jan 13, 2024, 10am-2pm
GENERAL AUDITION INFO
CASTING POLICIES: Auditions are open to youth in the 3rd-12th grades, however the director for each show may look for a more specific age range that may not always include the younger ages. Specific age requirements and casting information for each show are posted in the Audition Notice for each production above. No roles have been pre-cast unless otherwise specifically stated in the audition notice. Youth of all ethnicities and backgrounds are encouraged to audition.
ETIQUETTE:
-
Please arrive at least 15 minutes early to fill out any necessary information sheets. Actors will audition in the order that they arrive. They do not need to stay the entire 2 hours of auditions. They will be able to leave once they audition.
-
Make sure to wear clothes and shoes that are comfortable to move around in. SYT discourages actors from “dressing up” for the part they desire. Actors should wear clothes that they feel comfortable in and that show their own personality and style.
PREPARATION:
Plays:
-
Actors are required to prepare a 1 minute monologue for the audition.
-
Actors should choose a monologue that shows off strong acting choices, clear diction and volume, and that is age-appropriate.
-
Memorization of your monologue is highly encouraged.
-
If you do not have a monologue, one will be provided for you at the audition. Monologues are available ahead of time, one month prior to auditions, at the Spartanburg Youth Theatre offices in the kiosk at the end of the hallway when you walk down the stairs to our area. You may use one of these monologues, or you may use one of your own choosing.
-
Bring your schedule to fill-in all of your potential rehearsal conflicts on the audition form – conflicts may NOT be added after casting!
Musicals:
-
Actors are required to prepare 16-32 bars of a musical theatre song for the audition. A song from a musical is recommended, however actors may sing any type of song.
-
Actors should choose a song that shows off vocal range, allows for strong acting choices, and that is age-appropriate.
-
Actors should bring their own sheet music. An accompanist will be provided. Singing from a music track or singing acapella is highly discouraged.
-
Memorization of your song is highly encouraged.
-
Singing a song from the specific show you’re auditioning for is discouraged. We prefer to hear your own style and range in a song you’re comfortable with from any show other than the one you’re auditioning for. Callbacks are when we’ll be able to hear you sing songs from the show.
-
If you do not have a song, one will be provided for you at the audition. Songs are available ahead of time, one month prior to auditions, at the Spartanburg Youth Theatre offices in the kiosk at the end of the hallway when you walk down the stairs to our area. You may use one of these songs, or you may use one of your own choosing.
-
A great resource for purchasing sheet music is www.musicnotes.com.
-
For musicals, you will not dance at auditions. You will only dance at callbacks (if called back).
-
Bring your schedule to fill-in all of your potential rehearsal conflicts on the audition form – conflicts may NOT be added after casting!
REGISTRATION: Save time and fill out your audition form ahead of time. An online audition form will be available the Friday before auditions on the Auditions page of our website (above). If you fill out your form ahead of time, head straight to the check-in table when you arrive and tell them you filled out your form online. It is not mandatory to fill out your form in advance. You may still fill out the form when you arrive.
WHERE: All auditions are held at the Chapman Cultural Center at 200 E. St. John Street, Spartanburg, South Carolina, 29306. Look for signs directing you where to go for registration.
WHEN: Please note the above audition dates and times for the current Spartanburg Youth Theatre season. Auditions are typically Tuesdays & Wednesdays from 5:30-7:30pm. Actors may arrive at any time during the 2 hour slot. Actors will audition in the order that they arrive. They do not need to stay the entire 2 hours of auditions. They will be able to leave once they audition.
Actors should only audition one of the two nights offered. If an actor cannot audition on the two offered dates, we MAY be able to accommodate a separate audition date, but we cannot guarantee it. Please contact us directly.
CALLBACKS: If necessary, the director may hold callbacks to see certain actors again before casting the show. If callbacks are necessary, they are typically held the Saturday following auditions, however callbacks are subject to change depending on actor and director availability. If an actor is unable to attend callbacks, we MAY be able to accommodate a separate callback date, but we cannot guarantee it. If called back, contact us and we will see what we can do.
If an actor must arrive late or leave early, we will do our best to accommodate the conflict, but cannot guarantee that we will be able to make sure the actor is seen before they have to leave early or after they’ve arrived late.
A callback list will be posted on the Auditions page of our website (above), usually the Thursday after auditions. At callbacks, actors will read scenes from the script. For musicals, in addition to reading scenes, actors will learn songs from the show and learn a short dance combination.
We love contra dance, and nobody gets paid for making the dances happen. We all just pitch in. You can too. Here’s how it works:
- Help us OPEN or CLOSE, and dance for free all night long! It only takes 30 minutes to an hour.
- Help us at the DOOR, and dance for free half the night AND another whole night!
ALSO – if you want to volunteer on a regular basis, e.g. work the early door every 3rd Thursday, tell us and we’ll set that up!
The Volunteer page on the OFB website has a convenient, easy-to-use sign-up form for each of our dances.
Kayla Birstein is our volunteer coordinator. If you have questions or ideas about volunteering, contact info is on the Volunteer page.
Volunteer Opportunities
Early Host: Arrive by 7:15, greet the sound tech, band, and caller. Get into the safe, take out the starter money, count and fill out pay-out sheet. And advise/supervise volunteers.
Openers (3 people needed): Early Arrive by 7:15 pm, check in with Early Host, sweep the hall, set up chairs, make sure the bathrooms are clean and stocked.
Early Door Person (2 people needed): Arrive by 7:30 check, in with Early Host, work when needed to take money at the door. Alternate with your other door people and Early host to switch off who sits and who dances. Goes ’til 9:00pm.
Closers (3 people needed): Job time: 10 minutes. Break down the hall, put away chairs, tables, sweep the floors, empty and take out trash. Check in with the Late Host to make sure everything is done
Late Host: Arrive by 9:30, check-in with Early Host, the pay-out form should be filled out. Dancers should pay full price until first contra after the waltz break. Count the money, do the payout, supervise breakdown and close the hall.
We love contra dance, and nobody gets paid for making the dances happen. We all just pitch in. You can too. Here’s how it works:
- Help us OPEN or CLOSE, and dance for free all night long! It only takes 30 minutes to an hour.
- Help us at the DOOR, and dance for free half the night AND another whole night!
ALSO – if you want to volunteer on a regular basis, e.g. work the early door every 3rd Thursday, tell us and we’ll set that up!
The Volunteer page on the OFB website has a convenient, easy-to-use sign-up form for each of our dances.
Kayla Birstein is our volunteer coordinator. If you have questions or ideas about volunteering, contact info is on the Volunteer page.
Volunteer Opportunities
Early Host: Arrive by 7:15, greet the sound tech, band, and caller. Get into the safe, take out the starter money, count and fill out pay-out sheet. And advise/supervise volunteers.
Openers (3 people needed): Early Arrive by 7:15 pm, check in with Early Host, sweep the hall, set up chairs, make sure the bathrooms are clean and stocked.
Early Door Person (2 people needed): Arrive by 7:30 check, in with Early Host, work when needed to take money at the door. Alternate with your other door people and Early host to switch off who sits and who dances. Goes ’til 9:00pm.
Closers (3 people needed): Job time: 10 minutes. Break down the hall, put away chairs, tables, sweep the floors, empty and take out trash. Check in with the Late Host to make sure everything is done
Late Host: Arrive by 9:30, check-in with Early Host, the pay-out form should be filled out. Dancers should pay full price until first contra after the waltz break. Count the money, do the payout, supervise breakdown and close the hall.
We love contra dance, and nobody gets paid for making the dances happen. We all just pitch in. You can too. Here’s how it works:
- Help us OPEN or CLOSE, and dance for free all night long! It only takes 30 minutes to an hour.
- Help us at the DOOR, and dance for free half the night AND another whole night!
ALSO – if you want to volunteer on a regular basis, e.g. work the early door every 3rd Thursday, tell us and we’ll set that up!
The Volunteer page on the OFB website has a convenient, easy-to-use sign-up form for each of our dances.
Kayla Birstein is our volunteer coordinator. If you have questions or ideas about volunteering, contact info is on the Volunteer page.
Volunteer Opportunities
Early Host: Arrive by 7:15, greet the sound tech, band, and caller. Get into the safe, take out the starter money, count and fill out pay-out sheet. And advise/supervise volunteers.
Openers (3 people needed): Early Arrive by 7:15 pm, check in with Early Host, sweep the hall, set up chairs, make sure the bathrooms are clean and stocked.
Early Door Person (2 people needed): Arrive by 7:30 check, in with Early Host, work when needed to take money at the door. Alternate with your other door people and Early host to switch off who sits and who dances. Goes ’til 9:00pm.
Closers (3 people needed): Job time: 10 minutes. Break down the hall, put away chairs, tables, sweep the floors, empty and take out trash. Check in with the Late Host to make sure everything is done
Late Host: Arrive by 9:30, check-in with Early Host, the pay-out form should be filled out. Dancers should pay full price until first contra after the waltz break. Count the money, do the payout, supervise breakdown and close the hall.
We love contra dance, and nobody gets paid for making the dances happen. We all just pitch in. You can too. Here’s how it works:
- Help us OPEN or CLOSE, and dance for free all night long! It only takes 30 minutes to an hour.
- Help us at the DOOR, and dance for free half the night AND another whole night!
ALSO – if you want to volunteer on a regular basis, e.g. work the early door every 3rd Thursday, tell us and we’ll set that up!
The Volunteer page on the OFB website has a convenient, easy-to-use sign-up form for each of our dances.
Kayla Birstein is our volunteer coordinator. If you have questions or ideas about volunteering, contact info is on the Volunteer page.
Volunteer Opportunities
Early Host: Arrive by 7:15, greet the sound tech, band, and caller. Get into the safe, take out the starter money, count and fill out pay-out sheet. And advise/supervise volunteers.
Openers (3 people needed): Early Arrive by 7:15 pm, check in with Early Host, sweep the hall, set up chairs, make sure the bathrooms are clean and stocked.
Early Door Person (2 people needed): Arrive by 7:30 check, in with Early Host, work when needed to take money at the door. Alternate with your other door people and Early host to switch off who sits and who dances. Goes ’til 9:00pm.
Closers (3 people needed): Job time: 10 minutes. Break down the hall, put away chairs, tables, sweep the floors, empty and take out trash. Check in with the Late Host to make sure everything is done
Late Host: Arrive by 9:30, check-in with Early Host, the pay-out form should be filled out. Dancers should pay full price until first contra after the waltz break. Count the money, do the payout, supervise breakdown and close the hall.
We love contra dance, and nobody gets paid for making the dances happen. We all just pitch in. You can too. Here’s how it works:
- Help us OPEN or CLOSE, and dance for free all night long! It only takes 30 minutes to an hour.
- Help us at the DOOR, and dance for free half the night AND another whole night!
ALSO – if you want to volunteer on a regular basis, e.g. work the early door every 3rd Thursday, tell us and we’ll set that up!
The Volunteer page on the OFB website has a convenient, easy-to-use sign-up form for each of our dances.
Kayla Birstein is our volunteer coordinator. If you have questions or ideas about volunteering, contact info is on the Volunteer page.
Volunteer Opportunities
Early Host: Arrive by 7:15, greet the sound tech, band, and caller. Get into the safe, take out the starter money, count and fill out pay-out sheet. And advise/supervise volunteers.
Openers (3 people needed): Early Arrive by 7:15 pm, check in with Early Host, sweep the hall, set up chairs, make sure the bathrooms are clean and stocked.
Early Door Person (2 people needed): Arrive by 7:30 check, in with Early Host, work when needed to take money at the door. Alternate with your other door people and Early host to switch off who sits and who dances. Goes ’til 9:00pm.
Closers (3 people needed): Job time: 10 minutes. Break down the hall, put away chairs, tables, sweep the floors, empty and take out trash. Check in with the Late Host to make sure everything is done
Late Host: Arrive by 9:30, check-in with Early Host, the pay-out form should be filled out. Dancers should pay full price until first contra after the waltz break. Count the money, do the payout, supervise breakdown and close the hall.
Free Hip Hop class open to all ages. NOV 10 7-8:15pm
Join professional dancer and choreography Tony Tucker for a fun and excited dance experience.
PLEASE let us know that you are coming -RESERVE YOUR SPACE at [email protected]
We love contra dance, and nobody gets paid for making the dances happen. We all just pitch in. You can too. Here’s how it works:
- Help us OPEN or CLOSE, and dance for free all night long! It only takes 30 minutes to an hour.
- Help us at the DOOR, and dance for free half the night AND another whole night!
ALSO – if you want to volunteer on a regular basis, e.g. work the early door every 3rd Thursday, tell us and we’ll set that up!
The Volunteer page on the OFB website has a convenient, easy-to-use sign-up form for each of our dances.
Kayla Birstein is our volunteer coordinator. If you have questions or ideas about volunteering, contact info is on the Volunteer page.
Volunteer Opportunities
Early Host: Arrive by 7:15, greet the sound tech, band, and caller. Get into the safe, take out the starter money, count and fill out pay-out sheet. And advise/supervise volunteers.
Openers (3 people needed): Early Arrive by 7:15 pm, check in with Early Host, sweep the hall, set up chairs, make sure the bathrooms are clean and stocked.
Early Door Person (2 people needed): Arrive by 7:30 check, in with Early Host, work when needed to take money at the door. Alternate with your other door people and Early host to switch off who sits and who dances. Goes ’til 9:00pm.
Closers (3 people needed): Job time: 10 minutes. Break down the hall, put away chairs, tables, sweep the floors, empty and take out trash. Check in with the Late Host to make sure everything is done
Late Host: Arrive by 9:30, check-in with Early Host, the pay-out form should be filled out. Dancers should pay full price until first contra after the waltz break. Count the money, do the payout, supervise breakdown and close the hall.
We love contra dance, and nobody gets paid for making the dances happen. We all just pitch in. You can too. Here’s how it works:
- Help us OPEN or CLOSE, and dance for free all night long! It only takes 30 minutes to an hour.
- Help us at the DOOR, and dance for free half the night AND another whole night!
ALSO – if you want to volunteer on a regular basis, e.g. work the early door every 3rd Thursday, tell us and we’ll set that up!
The Volunteer page on the OFB website has a convenient, easy-to-use sign-up form for each of our dances.
Kayla Birstein is our volunteer coordinator. If you have questions or ideas about volunteering, contact info is on the Volunteer page.
Volunteer Opportunities
Early Host: Arrive by 7:15, greet the sound tech, band, and caller. Get into the safe, take out the starter money, count and fill out pay-out sheet. And advise/supervise volunteers.
Openers (3 people needed): Early Arrive by 7:15 pm, check in with Early Host, sweep the hall, set up chairs, make sure the bathrooms are clean and stocked.
Early Door Person (2 people needed): Arrive by 7:30 check, in with Early Host, work when needed to take money at the door. Alternate with your other door people and Early host to switch off who sits and who dances. Goes ’til 9:00pm.
Closers (3 people needed): Job time: 10 minutes. Break down the hall, put away chairs, tables, sweep the floors, empty and take out trash. Check in with the Late Host to make sure everything is done
Late Host: Arrive by 9:30, check-in with Early Host, the pay-out form should be filled out. Dancers should pay full price until first contra after the waltz break. Count the money, do the payout, supervise breakdown and close the hall.
We love contra dance, and nobody gets paid for making the dances happen. We all just pitch in. You can too. Here’s how it works:
- Help us OPEN or CLOSE, and dance for free all night long! It only takes 30 minutes to an hour.
- Help us at the DOOR, and dance for free half the night AND another whole night!
ALSO – if you want to volunteer on a regular basis, e.g. work the early door every 3rd Thursday, tell us and we’ll set that up!
The Volunteer page on the OFB website has a convenient, easy-to-use sign-up form for each of our dances.
Kayla Birstein is our volunteer coordinator. If you have questions or ideas about volunteering, contact info is on the Volunteer page.
Volunteer Opportunities
Early Host: Arrive by 7:15, greet the sound tech, band, and caller. Get into the safe, take out the starter money, count and fill out pay-out sheet. And advise/supervise volunteers.
Openers (3 people needed): Early Arrive by 7:15 pm, check in with Early Host, sweep the hall, set up chairs, make sure the bathrooms are clean and stocked.
Early Door Person (2 people needed): Arrive by 7:30 check, in with Early Host, work when needed to take money at the door. Alternate with your other door people and Early host to switch off who sits and who dances. Goes ’til 9:00pm.
Closers (3 people needed): Job time: 10 minutes. Break down the hall, put away chairs, tables, sweep the floors, empty and take out trash. Check in with the Late Host to make sure everything is done
Late Host: Arrive by 9:30, check-in with Early Host, the pay-out form should be filled out. Dancers should pay full price until first contra after the waltz break. Count the money, do the payout, supervise breakdown and close the hall.
A dynamic mixed repertory of jazz, ballet and contemporary works, Watch Your Step ushers in a brand new season of dance at Converse! Showcasing Dance & Theatre students as well as students from across the University, the concert features three short dance works and a movement piece celebrating the beauty of the ocean and examining the precarious future of coral reefs. We invite you to come experience the creativity and skill of our student dancers at Converse University!”
We love contra dance, and nobody gets paid for making the dances happen. We all just pitch in. You can too. Here’s how it works:
- Help us OPEN or CLOSE, and dance for free all night long! It only takes 30 minutes to an hour.
- Help us at the DOOR, and dance for free half the night AND another whole night!
ALSO – if you want to volunteer on a regular basis, e.g. work the early door every 3rd Thursday, tell us and we’ll set that up!
The Volunteer page on the OFB website has a convenient, easy-to-use sign-up form for each of our dances.
Kayla Birstein is our volunteer coordinator. If you have questions or ideas about volunteering, contact info is on the Volunteer page.
Volunteer Opportunities
Early Host: Arrive by 7:15, greet the sound tech, band, and caller. Get into the safe, take out the starter money, count and fill out pay-out sheet. And advise/supervise volunteers.
Openers (3 people needed): Early Arrive by 7:15 pm, check in with Early Host, sweep the hall, set up chairs, make sure the bathrooms are clean and stocked.
Early Door Person (2 people needed): Arrive by 7:30 check, in with Early Host, work when needed to take money at the door. Alternate with your other door people and Early host to switch off who sits and who dances. Goes ’til 9:00pm.
Closers (3 people needed): Job time: 10 minutes. Break down the hall, put away chairs, tables, sweep the floors, empty and take out trash. Check in with the Late Host to make sure everything is done
Late Host: Arrive by 9:30, check-in with Early Host, the pay-out form should be filled out. Dancers should pay full price until first contra after the waltz break. Count the money, do the payout, supervise breakdown and close the hall.