Events Calendar
Explore family friendly events, theatres, galleries, concerts, nightlife, things to do, and more in the Greenville, SC and Upstate areas.
Interested in adding an event to our calendar? Please click the green “Post Your Event” button below.
Coco Live-to-Film Concert features a screening of the complete Disney Pixar film with Oscar® and Grammy®-winning composer Michael Giacchino’s musical score performed live by the 20-member Orquesta Folclórica Nacional de México. In addition to the original score by Giacchino, “Coco” also features the Oscar®-winning song “Remember Me” by Oscar-winning songwriters Kristen Anderson-Lopez and Robert Lopez and additional songs co-written by Germaine Franco and co-director and screenwriter Adrian Molina. Audiences will travel with Miguel (voice of Anthony Gonzalez) on his extraordinary journey to the colorful Land of the Dead to unlock the real story behind his family’s history set to a live orchestra.
Disney Pixar Coco es un evento especial que no te puedes perder. El evento consta de la proyección de la película, mientras la Orquesta Folclórica Nacional de México interpreta la música del compositor ganador del Oscar® y el Grammy®, Michael Giacchino, en vivo. Además de la música original de Giacchino, “Coco” también incluye la canción ganadora del Oscar® “Remember Me” de los compositores ganadores del Oscar Kristen Anderson-Lopez y Robert Lopez, así como otras canciones coescritas por Germaine Franco y el codirector y guionista Adrian Molina. La voz original de Miguel, Anthony Gonzalez, transportara a los espectadores a la colorida Tierra de los Muertos, para descubrir la verdadera historia de su familia.
Image courtesy of AMP Worldwide and Disney.
About the Movie: Despite his family’s baffling generations-old ban on music, Miguel (voice of Anthony Gonzalez) dreams of becoming an accomplished musician like his idol, Ernesto de la Cruz (voice of Benjamin Bratt). Desperate to prove his talent, Miguel finds himself in the stunning and colorful Land of the Dead following a mysterious chain of events. Along the way, he meets charming trickster Héctor (voice of Gael García Bernal), and together, they set off on an extraordinary journey to unlock the real story behind Miguel’s family history. Disney and Pixar’s Coco is directed by Lee Unkrich (Toy Story 3), co-directed by Adrian Molina (story artist Monsters University) and produced by Darla K. Anderson (Toy Story 3).
The Orquesta Folclórica Nacional de México of the Ballet Folclórico Nacional de México by Silvia Lozano, is a musical group that stands out for its ability to fuse pre-Hispanic instruments with instruments from the colonial era, thus creating a unique and distinctive sound that evokes the rich history and culture of Mexico.
This orchestra is made up of expert musicians who are highly trained in the interpretation of a wide variety of genres and styles of Mexican folk music, such as Mariachi music, Jarana music, Son music, and Huapango music, among others. In addition, their repertoire includes songs and instrumental pieces dating from pre-Hispanic and colonial times, which allows them to connect with the country’s historical and cultural roots.
Among the instruments used by the Orquesta Folclórica Nacional de México are traditional pre-Hispanic drums, such as the “Huehuetl “and “Tepobaztli”, as well as flutes, “Ocarinas” and other pre-Hispanic wind instruments. They also use guitars, violins, double basses, and other stringed instruments that date back to colonial times, resulting in a unique and surprising sound combination.
In conjunction with the dancers of the Ballet Folclórico Nacional de México by Silvia Lozano, the Orquesta Folclórica manages to transmit to the public the energy, passion, and diversity of Mexican culture through its music and dance, creating an authentic and exciting experience for all those who have the pleasure of enjoying the show.
Does your little kid have a big imagination and lots of energy? Then this class exploring the fundamentals of theatre is just for them! During this 8-week class, students will explore favorite storybook characters and bring them to life through acting and creative and imagination play. This high-energy class will celebrate your young artist’s creativity, develop skills in improvisation, public speaking, and expression, and release creative energy in a meaningful way. With new material every semester, this class can (and should) be taken multiple times! We will end the semester with a taped video performance that will be emailed out to all families!
This 8-week class is designed for curious young performers eager to explore the “FUN”-damentals of acting. Through high-energy theatre games, improvisation, pantomime, storytelling, and ensemble-based activities, students will hone their theatre skills, build meaningful connections with other young artists, and discover their creative potential! With new material every semester, this class can (and should) be taken multiple times. We will end the semester with a taped video performance that will be emailed out to all families!
In this 8-week semester, young artists will learn to create dynamic relationships through theatre games, improvisation, and scene work. With an emphasis on ensemble storytelling, character creation, physicality, and voice and speech, students will leave feeling more collaborative, creative, and confident making bold choices on stage and in life. No prior experience is necessary, only an open mind! With new material every semester, this class can (and should) be taken multiple times. We will end the semester with a taped video performance that will be emailed out to all families!
In this 8-week session, teen artists will learn from industry experts in acting, character development, scene work, and more! In their weekly acting class students will explore the nuances of theatre technique and provide a framework approaching scenes and monologues. This session is ideal for students who are passionate about theatre, excited to collaborate in a pre-professional environment with peers and industry experts, and looking to grow and develop as artists.With new material every semester, this class can (and should) be taken multiple times. We will end the semester with a taped video performance that will be emailed out to all families!
An original musical revue, Bewitched Broadway will feature thrilling songs from terrifyingly good musicals like Wicked, Little Shop of Horrors, Beetlejuice, Jeykll & Hyde, The Phantom of the Opera, Sweeney Todd, The Addams Family, and much more. This incredible revue will showcase spine-tingling talent from the Upstate, including a live band on our stage! The whole family is sure to have a Wicked good time enjoying this perfect Halloween treat.
Patrons can reserve tickets at any time
Subscribers can reserve their seats starting: September 25
On sale to the public: October 2
🎃The Upstate’s NEW favorite Halloween tradition is coming to Yee-Haw Brewing in the heart of Downtown Greenville. Wear your hauntingly best garb, and come enjoy the spooookiest action in the Carolinas!
🏆 All titles are on the line:
In the main-event, new TURBO World Champion Patrick Scott defends against former Scramble Champion, WrestleRanger! Spirit Machine TK makes his first defense of the TURBO Scramble Championship while first ever TURBO Tag-Team Champions The High-flying Star Machines defend against Up Next (Lucky Ali & former world champion BK Westbrook). Plus, it’s open challenge season for Mad Dog Mayhem, featuring Josh Powers!
Also featuring:
Brittany Jade
Ella Envy
“Your Hero” Airicademia w/ Solar
Manscout Manning
“The Headline” Dean Richards
and many more!
🎫 TIX available at bit.ly/prowrestlingturbo
⌚ Doors open at 6:30, bell time is at 7:30
👪 Kid friendly
🤼 2.5 hours of wrestling action
*Card subject to change*
ASL Interpreted Performance on October 21st at 7:00 pm
The Greenville-centric story opens on Halloween night. While most families make their rounds through the well-known neighborhoods, a handful of kids break off from the group. Hoping to reveal an unspoken Greenville secret, they head to an abandoned mansion along the Reedy River. They knock on the door, and after no answer, a brave little girl says, “Let’s go!” and pushes it open. Lightning flashes to reveal a silhouette of a couple who dance a pas de deux to a string quartet medley of several Michael Jackson-inspired tunes. Music By Michael Jackson and Choreography by Hernan Justo.
Warning
Strob lighting and other intense lighting will be used during this show.
An original musical revue, Bewitched Broadway will feature thrilling songs from terrifyingly good musicals like Wicked, Little Shop of Horrors, Beetlejuice, Jeykll & Hyde, The Phantom of the Opera, Sweeney Todd, The Addams Family, and much more. This incredible revue will showcase spine-tingling talent from the Upstate, including a live band on our stage! The whole family is sure to have a Wicked good time enjoying this perfect Halloween treat.
Patrons can reserve tickets at any time
Subscribers can reserve their seats starting: September 25
On sale to the public: October 2
The Greenville-centric story opens on Halloween night. While most families make their rounds through the well-known neighborhoods, a handful of kids break off from the group. Hoping to reveal an unspoken Greenville secret, they head to an abandoned mansion along the Reedy River. They knock on the door, and after no answer, a brave little girl says, “Let’s go!” and pushes it open. Lightning flashes to reveal a silhouette of a couple who dance a pas de deux to a string quartet medley of several Michael Jackson-inspired tunes. Music By Michael Jackson and Choreography by Hernan Justo.
Warning
Strob lighting and other intense lighting will be used during this show.
ASL Interpreted Performance on October 21st at 7:00 pm
An original musical revue, Bewitched Broadway will feature thrilling songs from terrifyingly good musicals like Wicked, Little Shop of Horrors, Beetlejuice, Jeykll & Hyde, The Phantom of the Opera, Sweeney Todd, The Addams Family, and much more. This incredible revue will showcase spine-tingling talent from the Upstate, including a live band on our stage! The whole family is sure to have a Wicked good time enjoying this perfect Halloween treat.
Patrons can reserve tickets at any time
Subscribers can reserve their seats starting: September 25
On sale to the public: October 2
Back by popular demand! We are excited to offer an 8-week adult acting session this fall at Playhouse Jr.! Dive into scene work and learn the ins and outs of creating a character, acting in a scene, and dissecting the script. Taught by a seasoned professional actor, this is sure to be the hit of the fall! Space is limited so sign up today! There will be no performance at the end of the semester
A CHRISTMAS CAROL (play)
Director: Connor Vetter
Assistant Director: TBD
Audition Workshop: Sat, Aug 26, 9am-12pm
Auditions: Tues, Sept 5 & Wed, Sept 6, 5:30-7:30pm
Callbacks: Sat, Sept 9, 10am-2pm
DISNEY’S THE LION KING JR. (musical)
Director: Adam Sanders
Assistant Director: TBD
Choreographer: Lustra Miller
Music Director: Ben Chumley
Audition Workshop: Sat, Oct 21, 9am-1pm
Auditions: Tues, Oct 31 & Wed, Nov 1, 5:30-7:30pm
Callbacks: Sat, Nov 4, 10am-4pm
THE RAINBOW FISH (play)
Director: TBD
Assistant Director: TBD
Audition Workshop: Sat, Jan 6, 2024, 9am-12pm
Auditions: Tues, Jan 9 or Wed, Jan 10, 2024, 5:30-7:30pm
Callbacks: Sat, Jan 13, 2024, 10am-2pm
GENERAL AUDITION INFO
CASTING POLICIES: Auditions are open to youth in the 3rd-12th grades, however the director for each show may look for a more specific age range that may not always include the younger ages. Specific age requirements and casting information for each show are posted in the Audition Notice for each production above. No roles have been pre-cast unless otherwise specifically stated in the audition notice. Youth of all ethnicities and backgrounds are encouraged to audition.
ETIQUETTE:
-
Please arrive at least 15 minutes early to fill out any necessary information sheets. Actors will audition in the order that they arrive. They do not need to stay the entire 2 hours of auditions. They will be able to leave once they audition.
-
Make sure to wear clothes and shoes that are comfortable to move around in. SYT discourages actors from “dressing up” for the part they desire. Actors should wear clothes that they feel comfortable in and that show their own personality and style.
PREPARATION:
Plays:
-
Actors are required to prepare a 1 minute monologue for the audition.
-
Actors should choose a monologue that shows off strong acting choices, clear diction and volume, and that is age-appropriate.
-
Memorization of your monologue is highly encouraged.
-
If you do not have a monologue, one will be provided for you at the audition. Monologues are available ahead of time, one month prior to auditions, at the Spartanburg Youth Theatre offices in the kiosk at the end of the hallway when you walk down the stairs to our area. You may use one of these monologues, or you may use one of your own choosing.
-
Bring your schedule to fill-in all of your potential rehearsal conflicts on the audition form – conflicts may NOT be added after casting!
Musicals:
-
Actors are required to prepare 16-32 bars of a musical theatre song for the audition. A song from a musical is recommended, however actors may sing any type of song.
-
Actors should choose a song that shows off vocal range, allows for strong acting choices, and that is age-appropriate.
-
Actors should bring their own sheet music. An accompanist will be provided. Singing from a music track or singing acapella is highly discouraged.
-
Memorization of your song is highly encouraged.
-
Singing a song from the specific show you’re auditioning for is discouraged. We prefer to hear your own style and range in a song you’re comfortable with from any show other than the one you’re auditioning for. Callbacks are when we’ll be able to hear you sing songs from the show.
-
If you do not have a song, one will be provided for you at the audition. Songs are available ahead of time, one month prior to auditions, at the Spartanburg Youth Theatre offices in the kiosk at the end of the hallway when you walk down the stairs to our area. You may use one of these songs, or you may use one of your own choosing.
-
A great resource for purchasing sheet music is www.musicnotes.com.
-
For musicals, you will not dance at auditions. You will only dance at callbacks (if called back).
-
Bring your schedule to fill-in all of your potential rehearsal conflicts on the audition form – conflicts may NOT be added after casting!
REGISTRATION: Save time and fill out your audition form ahead of time. An online audition form will be available the Friday before auditions on the Auditions page of our website (above). If you fill out your form ahead of time, head straight to the check-in table when you arrive and tell them you filled out your form online. It is not mandatory to fill out your form in advance. You may still fill out the form when you arrive.
WHERE: All auditions are held at the Chapman Cultural Center at 200 E. St. John Street, Spartanburg, South Carolina, 29306. Look for signs directing you where to go for registration.
WHEN: Please note the above audition dates and times for the current Spartanburg Youth Theatre season. Auditions are typically Tuesdays & Wednesdays from 5:30-7:30pm. Actors may arrive at any time during the 2 hour slot. Actors will audition in the order that they arrive. They do not need to stay the entire 2 hours of auditions. They will be able to leave once they audition.
Actors should only audition one of the two nights offered. If an actor cannot audition on the two offered dates, we MAY be able to accommodate a separate audition date, but we cannot guarantee it. Please contact us directly.
CALLBACKS: If necessary, the director may hold callbacks to see certain actors again before casting the show. If callbacks are necessary, they are typically held the Saturday following auditions, however callbacks are subject to change depending on actor and director availability. If an actor is unable to attend callbacks, we MAY be able to accommodate a separate callback date, but we cannot guarantee it. If called back, contact us and we will see what we can do.
If an actor must arrive late or leave early, we will do our best to accommodate the conflict, but cannot guarantee that we will be able to make sure the actor is seen before they have to leave early or after they’ve arrived late.
A callback list will be posted on the Auditions page of our website (above), usually the Thursday after auditions. At callbacks, actors will read scenes from the script. For musicals, in addition to reading scenes, actors will learn songs from the show and learn a short dance combination.
WELCOME TO MUSICAL COMEDY HEAVEN!
Featuring one of the most iconic scores of all time by Jule Styne and Bob Merrill, an updated book from Harvey Fierstein based on the original classic by Isobel Lennart, tap choreography by Ayodele Casel, choreography by Ellenore Scott, and direction from Michael Mayer, this love letter to the theatre has the whole shebang!
The sensational Broadway revival dazzles with celebrated classic songs, including “Don’t Rain On My Parade,” “I’m the Greatest Star,” and “People.” This bittersweet comedy is the story of the indomitable Fanny Brice, a girl from the Lower East Side who dreamed of a life on the stage. Everyone told her she’d never be a star, but then something funny happened—she became one of the most beloved performers in history, shining brighter than the brightest lights of Broadway.
A CHRISTMAS CAROL (play)
Director: Connor Vetter
Assistant Director: TBD
Audition Workshop: Sat, Aug 26, 9am-12pm
Auditions: Tues, Sept 5 & Wed, Sept 6, 5:30-7:30pm
Callbacks: Sat, Sept 9, 10am-2pm
DISNEY’S THE LION KING JR. (musical)
Director: Adam Sanders
Assistant Director: TBD
Choreographer: Lustra Miller
Music Director: Ben Chumley
Audition Workshop: Sat, Oct 21, 9am-1pm
Auditions: Tues, Oct 31 & Wed, Nov 1, 5:30-7:30pm
Callbacks: Sat, Nov 4, 10am-4pm
THE RAINBOW FISH (play)
Director: TBD
Assistant Director: TBD
Audition Workshop: Sat, Jan 6, 2024, 9am-12pm
Auditions: Tues, Jan 9 or Wed, Jan 10, 2024, 5:30-7:30pm
Callbacks: Sat, Jan 13, 2024, 10am-2pm
GENERAL AUDITION INFO
CASTING POLICIES: Auditions are open to youth in the 3rd-12th grades, however the director for each show may look for a more specific age range that may not always include the younger ages. Specific age requirements and casting information for each show are posted in the Audition Notice for each production above. No roles have been pre-cast unless otherwise specifically stated in the audition notice. Youth of all ethnicities and backgrounds are encouraged to audition.
ETIQUETTE:
-
Please arrive at least 15 minutes early to fill out any necessary information sheets. Actors will audition in the order that they arrive. They do not need to stay the entire 2 hours of auditions. They will be able to leave once they audition.
-
Make sure to wear clothes and shoes that are comfortable to move around in. SYT discourages actors from “dressing up” for the part they desire. Actors should wear clothes that they feel comfortable in and that show their own personality and style.
PREPARATION:
Plays:
-
Actors are required to prepare a 1 minute monologue for the audition.
-
Actors should choose a monologue that shows off strong acting choices, clear diction and volume, and that is age-appropriate.
-
Memorization of your monologue is highly encouraged.
-
If you do not have a monologue, one will be provided for you at the audition. Monologues are available ahead of time, one month prior to auditions, at the Spartanburg Youth Theatre offices in the kiosk at the end of the hallway when you walk down the stairs to our area. You may use one of these monologues, or you may use one of your own choosing.
-
Bring your schedule to fill-in all of your potential rehearsal conflicts on the audition form – conflicts may NOT be added after casting!
Musicals:
-
Actors are required to prepare 16-32 bars of a musical theatre song for the audition. A song from a musical is recommended, however actors may sing any type of song.
-
Actors should choose a song that shows off vocal range, allows for strong acting choices, and that is age-appropriate.
-
Actors should bring their own sheet music. An accompanist will be provided. Singing from a music track or singing acapella is highly discouraged.
-
Memorization of your song is highly encouraged.
-
Singing a song from the specific show you’re auditioning for is discouraged. We prefer to hear your own style and range in a song you’re comfortable with from any show other than the one you’re auditioning for. Callbacks are when we’ll be able to hear you sing songs from the show.
-
If you do not have a song, one will be provided for you at the audition. Songs are available ahead of time, one month prior to auditions, at the Spartanburg Youth Theatre offices in the kiosk at the end of the hallway when you walk down the stairs to our area. You may use one of these songs, or you may use one of your own choosing.
-
A great resource for purchasing sheet music is www.musicnotes.com.
-
For musicals, you will not dance at auditions. You will only dance at callbacks (if called back).
-
Bring your schedule to fill-in all of your potential rehearsal conflicts on the audition form – conflicts may NOT be added after casting!
REGISTRATION: Save time and fill out your audition form ahead of time. An online audition form will be available the Friday before auditions on the Auditions page of our website (above). If you fill out your form ahead of time, head straight to the check-in table when you arrive and tell them you filled out your form online. It is not mandatory to fill out your form in advance. You may still fill out the form when you arrive.
WHERE: All auditions are held at the Chapman Cultural Center at 200 E. St. John Street, Spartanburg, South Carolina, 29306. Look for signs directing you where to go for registration.
WHEN: Please note the above audition dates and times for the current Spartanburg Youth Theatre season. Auditions are typically Tuesdays & Wednesdays from 5:30-7:30pm. Actors may arrive at any time during the 2 hour slot. Actors will audition in the order that they arrive. They do not need to stay the entire 2 hours of auditions. They will be able to leave once they audition.
Actors should only audition one of the two nights offered. If an actor cannot audition on the two offered dates, we MAY be able to accommodate a separate audition date, but we cannot guarantee it. Please contact us directly.
CALLBACKS: If necessary, the director may hold callbacks to see certain actors again before casting the show. If callbacks are necessary, they are typically held the Saturday following auditions, however callbacks are subject to change depending on actor and director availability. If an actor is unable to attend callbacks, we MAY be able to accommodate a separate callback date, but we cannot guarantee it. If called back, contact us and we will see what we can do.
If an actor must arrive late or leave early, we will do our best to accommodate the conflict, but cannot guarantee that we will be able to make sure the actor is seen before they have to leave early or after they’ve arrived late.
A callback list will be posted on the Auditions page of our website (above), usually the Thursday after auditions. At callbacks, actors will read scenes from the script. For musicals, in addition to reading scenes, actors will learn songs from the show and learn a short dance combination.
WELCOME TO MUSICAL COMEDY HEAVEN!
Featuring one of the most iconic scores of all time by Jule Styne and Bob Merrill, an updated book from Harvey Fierstein based on the original classic by Isobel Lennart, tap choreography by Ayodele Casel, choreography by Ellenore Scott, and direction from Michael Mayer, this love letter to the theatre has the whole shebang!
The sensational Broadway revival dazzles with celebrated classic songs, including “Don’t Rain On My Parade,” “I’m the Greatest Star,” and “People.” This bittersweet comedy is the story of the indomitable Fanny Brice, a girl from the Lower East Side who dreamed of a life on the stage. Everyone told her she’d never be a star, but then something funny happened—she became one of the most beloved performers in history, shining brighter than the brightest lights of Broadway.