Events Calendar

It’s nearing midnight in Wyoming, where four young conservatives have gathered at a backyard after-party two days before the 2017 eclipse and a week after the Charlottesville riot. They’ve returned home to toast their mentor Gina, newly inducted as president of a tiny Catholic college. As their reunion spirals into spiritual chaos and clashing generational politics, it becomes less a celebration and more a vicious fight to be understood. Will Arbery’s haunting play offers grace and disarming clarity, speaking to the heart of a country at war with itself.

WHY SEE THIS SHOW: 

A Pulitzer Prize finalist, this play is an open and honest dialogue about the restlessness of the heart, how generations define their politics and beliefs, and how in order to understand others we can’t immediately judge them. It’s another unicorn play, a play that has things to say to both sides of the political spectrum.

This is the kind of play that The Warehouse NEEDS to do. It takes a group of people not normally seen in a sympathetic light in theater and treats them with dignity and respect. A masterclass in contemporary storytelling, this is a play that will not be forgotten long after seeing it.

It’s nearing midnight in Wyoming, where four young conservatives have gathered at a backyard after-party two days before the 2017 eclipse and a week after the Charlottesville riot. They’ve returned home to toast their mentor Gina, newly inducted as president of a tiny Catholic college. As their reunion spirals into spiritual chaos and clashing generational politics, it becomes less a celebration and more a vicious fight to be understood. Will Arbery’s haunting play offers grace and disarming clarity, speaking to the heart of a country at war with itself.

WHY SEE THIS SHOW: 

A Pulitzer Prize finalist, this play is an open and honest dialogue about the restlessness of the heart, how generations define their politics and beliefs, and how in order to understand others we can’t immediately judge them. It’s another unicorn play, a play that has things to say to both sides of the political spectrum.

This is the kind of play that The Warehouse NEEDS to do. It takes a group of people not normally seen in a sympathetic light in theater and treats them with dignity and respect. A masterclass in contemporary storytelling, this is a play that will not be forgotten long after seeing it.

It’s nearing midnight in Wyoming, where four young conservatives have gathered at a backyard after-party two days before the 2017 eclipse and a week after the Charlottesville riot. They’ve returned home to toast their mentor Gina, newly inducted as president of a tiny Catholic college. As their reunion spirals into spiritual chaos and clashing generational politics, it becomes less a celebration and more a vicious fight to be understood. Will Arbery’s haunting play offers grace and disarming clarity, speaking to the heart of a country at war with itself.

WHY SEE THIS SHOW: 

A Pulitzer Prize finalist, this play is an open and honest dialogue about the restlessness of the heart, how generations define their politics and beliefs, and how in order to understand others we can’t immediately judge them. It’s another unicorn play, a play that has things to say to both sides of the political spectrum.

This is the kind of play that The Warehouse NEEDS to do. It takes a group of people not normally seen in a sympathetic light in theater and treats them with dignity and respect. A masterclass in contemporary storytelling, this is a play that will not be forgotten long after seeing it.

It’s nearing midnight in Wyoming, where four young conservatives have gathered at a backyard after-party two days before the 2017 eclipse and a week after the Charlottesville riot. They’ve returned home to toast their mentor Gina, newly inducted as president of a tiny Catholic college. As their reunion spirals into spiritual chaos and clashing generational politics, it becomes less a celebration and more a vicious fight to be understood. Will Arbery’s haunting play offers grace and disarming clarity, speaking to the heart of a country at war with itself.

WHY SEE THIS SHOW: 

A Pulitzer Prize finalist, this play is an open and honest dialogue about the restlessness of the heart, how generations define their politics and beliefs, and how in order to understand others we can’t immediately judge them. It’s another unicorn play, a play that has things to say to both sides of the political spectrum.

This is the kind of play that The Warehouse NEEDS to do. It takes a group of people not normally seen in a sympathetic light in theater and treats them with dignity and respect. A masterclass in contemporary storytelling, this is a play that will not be forgotten long after seeing it.

It’s nearing midnight in Wyoming, where four young conservatives have gathered at a backyard after-party two days before the 2017 eclipse and a week after the Charlottesville riot. They’ve returned home to toast their mentor Gina, newly inducted as president of a tiny Catholic college. As their reunion spirals into spiritual chaos and clashing generational politics, it becomes less a celebration and more a vicious fight to be understood. Will Arbery’s haunting play offers grace and disarming clarity, speaking to the heart of a country at war with itself.

WHY SEE THIS SHOW: 

A Pulitzer Prize finalist, this play is an open and honest dialogue about the restlessness of the heart, how generations define their politics and beliefs, and how in order to understand others we can’t immediately judge them. It’s another unicorn play, a play that has things to say to both sides of the political spectrum.

This is the kind of play that The Warehouse NEEDS to do. It takes a group of people not normally seen in a sympathetic light in theater and treats them with dignity and respect. A masterclass in contemporary storytelling, this is a play that will not be forgotten long after seeing it.

It’s nearing midnight in Wyoming, where four young conservatives have gathered at a backyard after-party two days before the 2017 eclipse and a week after the Charlottesville riot. They’ve returned home to toast their mentor Gina, newly inducted as president of a tiny Catholic college. As their reunion spirals into spiritual chaos and clashing generational politics, it becomes less a celebration and more a vicious fight to be understood. Will Arbery’s haunting play offers grace and disarming clarity, speaking to the heart of a country at war with itself.

WHY SEE THIS SHOW: 

A Pulitzer Prize finalist, this play is an open and honest dialogue about the restlessness of the heart, how generations define their politics and beliefs, and how in order to understand others we can’t immediately judge them. It’s another unicorn play, a play that has things to say to both sides of the political spectrum.

This is the kind of play that The Warehouse NEEDS to do. It takes a group of people not normally seen in a sympathetic light in theater and treats them with dignity and respect. A masterclass in contemporary storytelling, this is a play that will not be forgotten long after seeing it.

It’s nearing midnight in Wyoming, where four young conservatives have gathered at a backyard after-party two days before the 2017 eclipse and a week after the Charlottesville riot. They’ve returned home to toast their mentor Gina, newly inducted as president of a tiny Catholic college. As their reunion spirals into spiritual chaos and clashing generational politics, it becomes less a celebration and more a vicious fight to be understood. Will Arbery’s haunting play offers grace and disarming clarity, speaking to the heart of a country at war with itself.

WHY SEE THIS SHOW: 

A Pulitzer Prize finalist, this play is an open and honest dialogue about the restlessness of the heart, how generations define their politics and beliefs, and how in order to understand others we can’t immediately judge them. It’s another unicorn play, a play that has things to say to both sides of the political spectrum.

This is the kind of play that The Warehouse NEEDS to do. It takes a group of people not normally seen in a sympathetic light in theater and treats them with dignity and respect. A masterclass in contemporary storytelling, this is a play that will not be forgotten long after seeing it.

It’s nearing midnight in Wyoming, where four young conservatives have gathered at a backyard after-party two days before the 2017 eclipse and a week after the Charlottesville riot. They’ve returned home to toast their mentor Gina, newly inducted as president of a tiny Catholic college. As their reunion spirals into spiritual chaos and clashing generational politics, it becomes less a celebration and more a vicious fight to be understood. Will Arbery’s haunting play offers grace and disarming clarity, speaking to the heart of a country at war with itself.

WHY SEE THIS SHOW: 

A Pulitzer Prize finalist, this play is an open and honest dialogue about the restlessness of the heart, how generations define their politics and beliefs, and how in order to understand others we can’t immediately judge them. It’s another unicorn play, a play that has things to say to both sides of the political spectrum.

This is the kind of play that The Warehouse NEEDS to do. It takes a group of people not normally seen in a sympathetic light in theater and treats them with dignity and respect. A masterclass in contemporary storytelling, this is a play that will not be forgotten long after seeing it.

It’s nearing midnight in Wyoming, where four young conservatives have gathered at a backyard after-party two days before the 2017 eclipse and a week after the Charlottesville riot. They’ve returned home to toast their mentor Gina, newly inducted as president of a tiny Catholic college. As their reunion spirals into spiritual chaos and clashing generational politics, it becomes less a celebration and more a vicious fight to be understood. Will Arbery’s haunting play offers grace and disarming clarity, speaking to the heart of a country at war with itself.

WHY SEE THIS SHOW: 

A Pulitzer Prize finalist, this play is an open and honest dialogue about the restlessness of the heart, how generations define their politics and beliefs, and how in order to understand others we can’t immediately judge them. It’s another unicorn play, a play that has things to say to both sides of the political spectrum.

This is the kind of play that The Warehouse NEEDS to do. It takes a group of people not normally seen in a sympathetic light in theater and treats them with dignity and respect. A masterclass in contemporary storytelling, this is a play that will not be forgotten long after seeing it.