These sculptures are a collection of fragments, contradictions, and run-on thoughts about the physical world. They emerge from a fascination with systems of the built environment and objects that occupy our space. When Webster collects found things, he often lives with them for years before incorporating them into a sculpture, adding something to their long-established history. A faded, peeled-up yellow road line is the material embodiment of the syntax that organizes movement, but can we also imagine what could exist beneath the road line, and allow an absurd moment to unravel the margins of the system?
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